Director: HAROLD FRENCH. Original screenplay: Sydney Box. Film editor: Anne V. Coates. Photography: C. Pennington-Richards. Art director: John Howell. Costumes designed by Joan Ellacott. Furs: Calman Links Ltd. Make-up: Geoffrey Rodway. Music composed and directed by Lambert Williamson. 2nd unit director and production manager: Douglas Peirce (sic). 2nd unit photography: Peter Hennessy. Camera operator: Reginald Morris. Production controller for Pinewood Studios: Arthur Alcott. Assistant director: Ernest Morris. Sound editor: Graeme Hamilton. Sound recording: C.C. Stevens and Gordon K. McCallum. Western Electric Sound Recording. Producer: Sydney Box. Executive producer: Earl St John. Made with the co-operation of Her Majesty's Customs & Excise, the City and Metropolitan Police Forces, the Railkways Executive, the Port of London Authority, the Corporation of the City of London, and Siebe Gorman & Co. Ltd (suppliers of underwater equipment). Interiors filmed at Pinewood Studios. A Sydney Box Production for London Independent Producers, presented by J. Arthur Rank.
Copyright 1954 by General Film Distributors Ltd. No recorded New York opening. U.S. release through Fine Arts Films: June 1956. U.K. release through General Film Distributors: 31 May 1954. Australian release through British Empire Films: 24 February 1956. Sydney opening at the Embassy. 7,700 feet. 85 minutes.
SYNOPSIS: Customs man on the trail of a drug shipment meets a beautiful model.
COMMENT: Admirably tense and exciting with much skillful lensing on actual locations, "Forbidden Cargo" still comes across as an engrossing and suspenseful thriller.
The performances are all that could be desired. The whole cast from stars to bit players turn in highly ingratiating yet solidly naturalistic characterizations. Box's taut script, with its shrewdly observed insights into the dialogue and motivations of real people, certainly helps.
I could start by commending Jack Warner's cleverly etched Chief Investigator who is given a dynamic but agreeably bantering manner, progress through Terence Morgan's caddishly charming heavy, and end up with Hal Osmond's perkily friendly yet defensively officious luggage counterman.
Production values are remarkably high. Credits, including Harold French's tense, creatively forceful direction, Anne Coates' imaginatively rapid film editing, and the attractively moody camera- work by Pennington-Richards, are outstanding in all departments.
Copyright 1954 by General Film Distributors Ltd. No recorded New York opening. U.S. release through Fine Arts Films: June 1956. U.K. release through General Film Distributors: 31 May 1954. Australian release through British Empire Films: 24 February 1956. Sydney opening at the Embassy. 7,700 feet. 85 minutes.
SYNOPSIS: Customs man on the trail of a drug shipment meets a beautiful model.
COMMENT: Admirably tense and exciting with much skillful lensing on actual locations, "Forbidden Cargo" still comes across as an engrossing and suspenseful thriller.
The performances are all that could be desired. The whole cast from stars to bit players turn in highly ingratiating yet solidly naturalistic characterizations. Box's taut script, with its shrewdly observed insights into the dialogue and motivations of real people, certainly helps.
I could start by commending Jack Warner's cleverly etched Chief Investigator who is given a dynamic but agreeably bantering manner, progress through Terence Morgan's caddishly charming heavy, and end up with Hal Osmond's perkily friendly yet defensively officious luggage counterman.
Production values are remarkably high. Credits, including Harold French's tense, creatively forceful direction, Anne Coates' imaginatively rapid film editing, and the attractively moody camera- work by Pennington-Richards, are outstanding in all departments.