The plot is centered on a hit man named Frank Kitchen, played by Michelle Rodriguez, who pisses off the wrong black market plastic surgeon (Sigourney Weaver) by killing her brother being Rodriguez's assignment. Exacting her revenge on Kitchen, the doctor in a rather unorthodox method forces a sex change operation on him to become a woman as a form of psychological torture on Frank to endure the rest of his/her life without any way of fully reversing the procedure. Obviously a tad bit peeved by this, Frank Kitchen seeks retribution for the crimes committed against his body and goes on a one-way killing spree to end the evil doctor's rein of terror.
On paper, this sounds like it would be interesting. No matter what one person's views may be on how good or bad the premise sounds, it is a safe bet that most would hear this synopsis and be at least a little intrigued by it. I can't say that I've ever come across a movie with a plot motivation even remotely similar to "The Assignment". Unfortunately the execution felt sloppy, drawn out, dull, and all around unoriginal. This same exact movie could probably exist beat for beat without the introduction to any sort of gender reassignment operation in the script. Just another quick rewrite and this is your basic revenge film, only with far less interesting characters or action set pieces to be entranced by. The movie goes back and forth within its timeline to tell the story with one line following the plot of Frank Kitchen getting the procedure done to him and seeking answers as well as revenge on the doctor. The second line is set after the events of Kitchen finding and putting an end to the doctor's black market business with the doctor being interviewed by a psychiatrist in an insane asylum about what really went down. The secondary thread feels like a waste of time only to put the plot on hold and pad out the film to make its 90 minute run time.
If everything containing Sigourney Weaver in the interview sections were taken out, while putting more focus on the actual main plot to include maybe some more character development and hopefully a lot more action beats, this movie would have succeeded at being an entertaining sit. Unfortunately those sections remain, leaving the story to feel dry and leaving zero impact. I know little to nothing about Frank Kitchen, nor do I care about him/her. Michelle Rodriguez does a great job, as always, being a total bad-ass. She carries her own very well, knows how to come across as intense and cool at all times. Her character just has little for her to work with, but she sells being a man forcefully transitioned into a woman terrifically.
As I mentioned before, the movie could have used some more action beats. The action is so minimal and shortly lived I couldn't find much fun to be had. No real intensity or thrills from any action scene on screen. The script comes across as if the writer was twiddling his thumbs until the script reached the hour and a half mark. It has no bite to the action or story, no defining personality that can't be found in countless other revenge films, and such limited humor with a premise as quirky as this could have greatly used. Plus with a plot revolving a hit man turned into a woman, the writers had so many opportunities to play with that idea. There are several scenarios, gimmicks, tricks, and just fun that could have been toyed around with to mix things up and give a much more unique experience. Instead the screenplay squanders this and gives nothing in return. It's as though the first act setup and the prologue were extended and edited into the entirety of the film. For myself, that didn't work and I found myself pretty bored throughout. Also there was one or two plot twists that of course a film like this has, one of them made zero sense and could have been cut while the other had no emotional impact on me whatsoever.
This movie is from the same director that gave us "The Warriors", "48 Hours", "Another 48 Hours", "The Driver", "Red Heat", "Last Man Standing"...this man knows how to make an action movie. This man knows how to make a unique premise memorable, fun, humorous, intense, cool, and exhilarating. I don't understand what happened here. From the direction I could tell this was Walter Hill's style, it is a decent looking film with competently made action sequences. Rare as those scenes may be. In the end, this film isn't truly awful but it doesn't have nearly enough entertainment value to it in order for myself to recommend it. Michelle Rodriguez has a good action lead presence, but isn't given enough character to sink her teeth into. Sigourney Weaver plays crazy pretty well and I did like her performance, but there was more character development provided for her in detriment to Rodriguez's character. The action held little to no impact or energy and the story is nothing memorable. I got nothing else for this movie and I honestly wrote about it way more than I intended. Go watch "The Warriors" if you need a Walter Hill action movie fix.
On paper, this sounds like it would be interesting. No matter what one person's views may be on how good or bad the premise sounds, it is a safe bet that most would hear this synopsis and be at least a little intrigued by it. I can't say that I've ever come across a movie with a plot motivation even remotely similar to "The Assignment". Unfortunately the execution felt sloppy, drawn out, dull, and all around unoriginal. This same exact movie could probably exist beat for beat without the introduction to any sort of gender reassignment operation in the script. Just another quick rewrite and this is your basic revenge film, only with far less interesting characters or action set pieces to be entranced by. The movie goes back and forth within its timeline to tell the story with one line following the plot of Frank Kitchen getting the procedure done to him and seeking answers as well as revenge on the doctor. The second line is set after the events of Kitchen finding and putting an end to the doctor's black market business with the doctor being interviewed by a psychiatrist in an insane asylum about what really went down. The secondary thread feels like a waste of time only to put the plot on hold and pad out the film to make its 90 minute run time.
If everything containing Sigourney Weaver in the interview sections were taken out, while putting more focus on the actual main plot to include maybe some more character development and hopefully a lot more action beats, this movie would have succeeded at being an entertaining sit. Unfortunately those sections remain, leaving the story to feel dry and leaving zero impact. I know little to nothing about Frank Kitchen, nor do I care about him/her. Michelle Rodriguez does a great job, as always, being a total bad-ass. She carries her own very well, knows how to come across as intense and cool at all times. Her character just has little for her to work with, but she sells being a man forcefully transitioned into a woman terrifically.
As I mentioned before, the movie could have used some more action beats. The action is so minimal and shortly lived I couldn't find much fun to be had. No real intensity or thrills from any action scene on screen. The script comes across as if the writer was twiddling his thumbs until the script reached the hour and a half mark. It has no bite to the action or story, no defining personality that can't be found in countless other revenge films, and such limited humor with a premise as quirky as this could have greatly used. Plus with a plot revolving a hit man turned into a woman, the writers had so many opportunities to play with that idea. There are several scenarios, gimmicks, tricks, and just fun that could have been toyed around with to mix things up and give a much more unique experience. Instead the screenplay squanders this and gives nothing in return. It's as though the first act setup and the prologue were extended and edited into the entirety of the film. For myself, that didn't work and I found myself pretty bored throughout. Also there was one or two plot twists that of course a film like this has, one of them made zero sense and could have been cut while the other had no emotional impact on me whatsoever.
This movie is from the same director that gave us "The Warriors", "48 Hours", "Another 48 Hours", "The Driver", "Red Heat", "Last Man Standing"...this man knows how to make an action movie. This man knows how to make a unique premise memorable, fun, humorous, intense, cool, and exhilarating. I don't understand what happened here. From the direction I could tell this was Walter Hill's style, it is a decent looking film with competently made action sequences. Rare as those scenes may be. In the end, this film isn't truly awful but it doesn't have nearly enough entertainment value to it in order for myself to recommend it. Michelle Rodriguez has a good action lead presence, but isn't given enough character to sink her teeth into. Sigourney Weaver plays crazy pretty well and I did like her performance, but there was more character development provided for her in detriment to Rodriguez's character. The action held little to no impact or energy and the story is nothing memorable. I got nothing else for this movie and I honestly wrote about it way more than I intended. Go watch "The Warriors" if you need a Walter Hill action movie fix.