An unemployed musician and his psychic girlfriend stumble on a government conspiracy involving experiments on child-like aliens in this sci-fi themed paranoia thriller from 'China Syndrome' screenwriter Mike Gray. The film is powered through by a perfectly brooding Tangerine Dream music score and haunting sound effects and Robert Carradine makes for a sympathetic lead. The choice to have young boys play the decades-old aliens works very well too; there are some great sequences in which they travel through the city with childhood wonderment in their eyes and yet adult restraint, content to just observe. The midsection of the film is nevertheless rather weak as focus turns away from Carradine and the aliens to focus on government figures debating what to do. This departure serves a purpose as it highlights how there are no real antagonists in the tale: all the government want to do is learn about these creatures and prevent panic in the general public, however, the government figures never make for interesting characters. The film also has some irksome narration to begin with but thankfully this soon disappears. 'Wavelength' might not be a perfect motion picture, but it is very well crafted as far as low to medium budget science fiction films go, and its descent into obscurity over the years is sad but understandable. Critics of the film are all too eager to jump on its similarities to 'E.T.' and 'Starman', but this is a film that deserves to be judged on its own terms - especially since it was written before 'E.T.' and released before 'Starman' came out!
Review of Wavelength
