This affectionate wartime thriller sees a bunch of old timers meeting up for one final mission, their aim to destroy a trio of German ships that have been responsible for destroying many allied ships off the coast of India. It's a nostalgic movie that harks back to the good old days of derring-do and stiff upper lips, and I have to say that I enjoyed the feelings and memories it evoked. It's also pleasing to see a film entirely populated (for the most part) by "old" actors who prove themselves just as capable as their younger brethren.
The film isn't perfect by any means and in fact it's rather rough around the edges: the running time is bloated and I would have preferred the exclusion of all the sub-plots surrounding Roger Moore's character. Moore is playing a Bond type in rather laborious subterfuge scenes in which he visits casinos, beds a beautiful woman (Barbara Kellerman, who went on to be the White Witch in the BBC LION, THE WITCH AND THE WARDROBE), has a few shoot-outs with German henchmen, and tracks a deadly traitor. Sadly, all of these moments are extraneous to the central plot and drag the pacing down. Moore is at his cheesy worst despite the presence of his twinkling blue eyes and he makes half the film feel like a sub-Bond outing.
The scenes involving the gang of old codgers aboard their boat are far better and a lot of fun. I loved the way these aged heroes play against stereotype, raring to go and looking for action despite the creaks and groans. Gregory Peck adopts a fine British accent as the chief hero, and he's supported by a quite wonderful cast of familiar British faces: David Niven, Trevor Howard, Patrick Macnee, Patrick Allen, and Percy Herbert to name but a few. The actual storming of the German ship only takes place in the last twenty minutes of the film, but it's a riveting and action-packed climax and one that (rarely) doesn't disappoint.
The film isn't perfect by any means and in fact it's rather rough around the edges: the running time is bloated and I would have preferred the exclusion of all the sub-plots surrounding Roger Moore's character. Moore is playing a Bond type in rather laborious subterfuge scenes in which he visits casinos, beds a beautiful woman (Barbara Kellerman, who went on to be the White Witch in the BBC LION, THE WITCH AND THE WARDROBE), has a few shoot-outs with German henchmen, and tracks a deadly traitor. Sadly, all of these moments are extraneous to the central plot and drag the pacing down. Moore is at his cheesy worst despite the presence of his twinkling blue eyes and he makes half the film feel like a sub-Bond outing.
The scenes involving the gang of old codgers aboard their boat are far better and a lot of fun. I loved the way these aged heroes play against stereotype, raring to go and looking for action despite the creaks and groans. Gregory Peck adopts a fine British accent as the chief hero, and he's supported by a quite wonderful cast of familiar British faces: David Niven, Trevor Howard, Patrick Macnee, Patrick Allen, and Percy Herbert to name but a few. The actual storming of the German ship only takes place in the last twenty minutes of the film, but it's a riveting and action-packed climax and one that (rarely) doesn't disappoint.