***Huge spoilers****Unlike many, I am not a huge Candace Cameron Bure fan. I find her competent. The first ¾ of this movie left me rather cold, despite the wonder and mystery provided by the great concept of a miraculous Christmas comet. The main character, Hanna, was just a too sweet cardboard cutout. However, the time travel gimmick usually delivers stories that keep me engaged, or at least semi-engaged, and this one was no exception. I did roll my eyes at the irrational behavior and attitudes of some of the townspeople and the police. Why all the hate and suspicion of nefarious motives on the part of the police chief, Her primary supporter, Jake's, partner, and the town busybody? The conflict was too manufactured and not rational. When Hanna, fresh from segregated 1945, is examined by the black doctor, and interrogated by the black chief of police, why no surprise or incredulity? They missed a great opportunity to add a little depth to the story there, and it would have taken all of 20 seconds. Her one champion, Jake, a policeman, was nicely played by Oliver Hudson. Sarah, Jake's partner, was foreshadowed to be the love interest, but for most of the movie, her cynicism and unfounded suspicions made her very unlikable.
The last ¼ of the show is more than redeemed by the appearance of the Tom Skerrit character. Now an aged and respected figure whose life was changed by Hanna by her kindness to him when he was a little boy, he validates her story. He leads the way to finding a solution to her predicament of which life to lead. Previously unknown ties between Hanna of 1945 and Hanna of 2016 are uncovered. The doubters are proved wrong and they are even a bit redeemed in the process. Both Hanna and the understanding cop,the two leads, find their happy endings, though hers was cheesy to the max. Oh well. Sometimes cheese is the way to go.
Everything was tied together beautifully. The last quarter of the film had me in tears. It was that good. I don't think I have ever seen a Hallmark movie that went from "blah" to stellar with such whiplash speed!
The last ¼ of the show is more than redeemed by the appearance of the Tom Skerrit character. Now an aged and respected figure whose life was changed by Hanna by her kindness to him when he was a little boy, he validates her story. He leads the way to finding a solution to her predicament of which life to lead. Previously unknown ties between Hanna of 1945 and Hanna of 2016 are uncovered. The doubters are proved wrong and they are even a bit redeemed in the process. Both Hanna and the understanding cop,the two leads, find their happy endings, though hers was cheesy to the max. Oh well. Sometimes cheese is the way to go.
Everything was tied together beautifully. The last quarter of the film had me in tears. It was that good. I don't think I have ever seen a Hallmark movie that went from "blah" to stellar with such whiplash speed!