RoboCop 3 (1993)
2/10
An abominable way to close the trilogy
3 November 2016
Warning: Spoilers
This lame sequel to the brilliant original masterpiece is yet another example of the law of diminishing returns. Also, unbelievably, it's aimed at CHLDREN, astonishing when you consider the level of mindless violence which filled the first two films. There's not a lot of originality this time around, and film is mainly a rehash of the first, with a plot about punk gangs and soldiers and rebels thrown in.

Nancy Allen dies in the first half hour, probably because she didn't want to appear in this garbage. In the first film, when someone died, it meant something. Now we just don't care anymore. To add insult to injury, the lead actor has been changed, as Peter Weller was wise to decline his invitation to return. Robert Burke simply doesn't have the power of Weller, a much under-rated actor in my opinion. Burke's as wooden as a plank. The rest of the cast simply go through their clichéd, uninspired motions.

The main disappoint for me was the lack of violence in this film. Let's face it, it was the violence that made the first film what it was. Now, a few people get shot and that's about it. Instead, there are lots of 'comic' scenes which fall flat and show that the material was wearing thin. Robocop was never designed to be a protector of children or a kindly saviour. He was a mean, vengeful cyborg cop who shot the baddies repeatedly and threw people through glass windows and stuff. To see him flying around in the sky in a jet pack is just a travesty, it really is. Degrading stuff.

The special effects aren't that bad, apart from the aforementioned hugely unrealistic jet pack scenes, but there's nothing remarkable on offer here, little stop motion animation. The only good thing the film has to offer in the way of effects are the cyborg samurai, Japanese guys who are robots underneath. When their faces smash and stuff it's pretty interesting. Otherwise, it's time for this Robo-outing to visit the scrap heap. Or the realms of television, which is where in fact he went after this abomination.
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