10/10
Tragic and truthful.
25 October 2016
Warning: Spoilers
"Chomsky finds the roots of the Requiem in how the United States was originally set up. The U.S. Constitution put power in the hands of the wealthy. The Constitution was written to prevent, not promote, democracy. Concentrations of wealth resulted in concentrations of political power. The course of our history has been defined by the struggles of this wealth and political power against upsurges in democratization, most notably in the 1930s labor movement and the 1960s peace, civil rights and women's movements.

Power and wealth fought back against these popular movements by trying to shape ideology and manufacture consent. Elections are engineered. Attempts to regulate the economy are undermined. Solidarity of the American dreamers is attacked. As Chomsky has shown through earlier work ("Manufacturing Consent: The Political Economy of the Mass Media" with Edward S. Herman, 1988) control was extended beyond the use of force into the domain of culture by marketing compliance and marginalizing dissent.

Chomsky himself provides an example of the extent to which dissent is marginalized when he chooses to avoid mentioning by name the great sources of ideas which help us understand how power and wealth function: socialists like Gramsci, Lukacs or even the scholar of the British Museum himself.

Rather than end his dissertation in despair, Chomsky offers elements of hope, if not exactly a well lit path to redemption. Popular movements, efforts to dismantle illegitimate authority, freedom of speech and new forms of political action all offer hope. He cites philosopher John Dewey's admonition that institutions should be under participatory democratic control. What matters, relates Chomsky quoting his friend Historian Howard Zinn, is the countless deeds of unknown people who lay the basis for the events of human history. Ultimately, learning how the world works will greatly aid in changing it."
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