An antique dealer comes into possession of an ancient artefact made by an 16th century alchemist. This mechanism known as the Cronos Device encases an undying insect whose sting gives immortality to those stung. Vampirism is the price that those given this gift must bear. Meanwhile, a rich, dying businessman seeks this life-giving artefact and will stop at nothing to do so.
Cronos is probably best known as Guillermo del Toro's debut directorial feature. It features highly imaginative elements that have become trademarks of his style. In some respects, this one was similar to his later Mimic (1997) in that it has some brilliant ideas but the whole wasn't as great as the parts. In this case it's the idea and design of the titular device that is the one genuine moment of true inspiration. This part insect, part ornate clockwork machine is very original. It's a great as a springboard for a new take on the vampire myth. This gold encrusted giant insect feels very Mexican and is a clever way of moving the vampire idea from its traditional European Gothic traditions. Unlike those, this is a decidedly unglamourised vampire, however; a being that resorts to licking blood off the floor of a public toilet in order to get its fix. Despite this grounded aspect, this is still a film that displays some of the visual style that would go on to be associated with this director, only it is definitely less well developed at this early stage in his career. It could be argued that for a horror film it does lack a bit of suspense though, on the other hand it does feature some good acting and well-drawn characters though. All-in-all, this is a good film rather than a great one. Del Toro would go on to do better films but this is still a very fine debut with nicely original touches.
Cronos is probably best known as Guillermo del Toro's debut directorial feature. It features highly imaginative elements that have become trademarks of his style. In some respects, this one was similar to his later Mimic (1997) in that it has some brilliant ideas but the whole wasn't as great as the parts. In this case it's the idea and design of the titular device that is the one genuine moment of true inspiration. This part insect, part ornate clockwork machine is very original. It's a great as a springboard for a new take on the vampire myth. This gold encrusted giant insect feels very Mexican and is a clever way of moving the vampire idea from its traditional European Gothic traditions. Unlike those, this is a decidedly unglamourised vampire, however; a being that resorts to licking blood off the floor of a public toilet in order to get its fix. Despite this grounded aspect, this is still a film that displays some of the visual style that would go on to be associated with this director, only it is definitely less well developed at this early stage in his career. It could be argued that for a horror film it does lack a bit of suspense though, on the other hand it does feature some good acting and well-drawn characters though. All-in-all, this is a good film rather than a great one. Del Toro would go on to do better films but this is still a very fine debut with nicely original touches.