Designed as a prequel to SILENCE OF THE LAMBS (and MANHUNTER before it), this is a film that aims to show how Hannibal Lecter ended up as the human cannibal that we all know and fear. Many people criticised this film, arguing that familiarity breeds contempt and the more we learn about a killer's background and origin, the less frightening he becomes. They have a point, but they're also missing something: HANNIBAL RISING is a very well made and entertaining movie in its own right. My advice is to forget all about the connections with the later films and just enjoy this film on its own merits.
It's a distinctly European film with a European sensibility and a young, French, unknown lead actor. It has a level of classiness that's not present in many an American film; a sheen of quality that sets it apart from the rest. The opening sequence, set in the latter days of World War 2 and detailing horrific events in Lithuania, is very well handled, full of foreboding, great effects, and sinister actions. It ably sets up the rest of the film, which turns out to be a revenge flick with the added intrigue of having the main character becoming more and more sick and twisted as the movie progresses.
One thing that stands out is the quality of the cast. The unknown Gaspard Ulliel is weird and brilliant as the young killer, and you quite believe he's a sociopath. There's a romantic sub-plot that goes nowhere involving the lovely Gong Li (CURSE OF THE GOLDEN FLOWER) but it does serve to humanise the monster a bit. The ever-reliable Dominic West is also very good as the policeman investigating Hannibal's crimes, although his role is completely extraneous to the thrust of the film. The bad guys, too, are very well cast and all of them thoroughly despicable chaps: Kevin McKidd, Richard Brake, and in particular a cast-against-type Rhys Ifans all make an impact here.
The violence that plays out is entertaining because the villains all deserve it: from the butcher slashed apart with a samurai sword to the guy strangled and eaten, these men are repulsive and their deaths well earned. Another highlight is that the film doesn't focus on the gore, either, not in a repulsive way like HANNIBAL; there's nothing stomach churning here. The cannibalism ends up as a sub-plot, really, not involved with the main film, but that didn't bother me too much. I enjoyed the pacing, the acting and the direction, and found all three of those elements assured and designed to entertain.
It's a distinctly European film with a European sensibility and a young, French, unknown lead actor. It has a level of classiness that's not present in many an American film; a sheen of quality that sets it apart from the rest. The opening sequence, set in the latter days of World War 2 and detailing horrific events in Lithuania, is very well handled, full of foreboding, great effects, and sinister actions. It ably sets up the rest of the film, which turns out to be a revenge flick with the added intrigue of having the main character becoming more and more sick and twisted as the movie progresses.
One thing that stands out is the quality of the cast. The unknown Gaspard Ulliel is weird and brilliant as the young killer, and you quite believe he's a sociopath. There's a romantic sub-plot that goes nowhere involving the lovely Gong Li (CURSE OF THE GOLDEN FLOWER) but it does serve to humanise the monster a bit. The ever-reliable Dominic West is also very good as the policeman investigating Hannibal's crimes, although his role is completely extraneous to the thrust of the film. The bad guys, too, are very well cast and all of them thoroughly despicable chaps: Kevin McKidd, Richard Brake, and in particular a cast-against-type Rhys Ifans all make an impact here.
The violence that plays out is entertaining because the villains all deserve it: from the butcher slashed apart with a samurai sword to the guy strangled and eaten, these men are repulsive and their deaths well earned. Another highlight is that the film doesn't focus on the gore, either, not in a repulsive way like HANNIBAL; there's nothing stomach churning here. The cannibalism ends up as a sub-plot, really, not involved with the main film, but that didn't bother me too much. I enjoyed the pacing, the acting and the direction, and found all three of those elements assured and designed to entertain.