What do you need in order to create a movie in the inverted order from the usual story line: the one that starts with the line "From death do us part" and ends with the line "They lived happily ever after"?
The answer is simple: You need a mastermind like Giuseppe Tornatore. A mind capable of inventing such interesting story, told through inspirational dialogues and intriguing plot.
The final product entitled "The Correspondence" is equally impressive as an independent piece of art, as well as a juxtaposing part of Tornatore's previous movie "The Best Offer". The beauty of comparing his recent films (written in English) lies in the opportunity to grasp the big picture. Both movies revolve around couples and involve prototypical males (rational yet highly emotional, thus men in touch with their feminine side) and prototypical females (fragile yet strong, thus women in touch with their masculine side). Both have impressive cast for the role of the men (Jeremy Irons / Geoffrey Rush) and expressive cast for the role of the women (Olga Kurylenko /Sylvia Hoeks). "The Best Offer" deals with the mysterious appearance of the female character, while "The Correspondence" seals the deal with the mysterious disappearance of the male character. The first speaks about losing oneself when finding the significant other, while the second movie speaks about finding oneself while losing the significant other.
Indeed, the theme of loss is ever-present in each frame and pixel of "The Correspondence". Someone might wonder if something so void and devoid of any words, something as ineffable as loss could ever be explained through words? It can and it ought to be, since the communication is the purest form of connection between a man and a woman, a marriage of their ideas, an ideal in itself, an open door to the deepest human connection. As long as we perceive the words spoken outside of our heads (in the books, songs or mouths of other people) as coded messages from the loved one, and as long we use all words existing inside of our heads as messages for our loved one, there will be connection. As such, the words are symbol of focus, of attention, and constant (re)invention of the significant other. Their presence signifies life, their absence – death (even in a symbolic manner) of the other.
Within this movie, the characters use words to reach to one another, somewhere, anywhere. With this movie the director uses words, to hopefully reach toward each one of us, everywhere. With this review, I use words, maybe also to reach to someone, somewhere, out there
Biljana Gjoneska www.evermind.me
The answer is simple: You need a mastermind like Giuseppe Tornatore. A mind capable of inventing such interesting story, told through inspirational dialogues and intriguing plot.
The final product entitled "The Correspondence" is equally impressive as an independent piece of art, as well as a juxtaposing part of Tornatore's previous movie "The Best Offer". The beauty of comparing his recent films (written in English) lies in the opportunity to grasp the big picture. Both movies revolve around couples and involve prototypical males (rational yet highly emotional, thus men in touch with their feminine side) and prototypical females (fragile yet strong, thus women in touch with their masculine side). Both have impressive cast for the role of the men (Jeremy Irons / Geoffrey Rush) and expressive cast for the role of the women (Olga Kurylenko /Sylvia Hoeks). "The Best Offer" deals with the mysterious appearance of the female character, while "The Correspondence" seals the deal with the mysterious disappearance of the male character. The first speaks about losing oneself when finding the significant other, while the second movie speaks about finding oneself while losing the significant other.
Indeed, the theme of loss is ever-present in each frame and pixel of "The Correspondence". Someone might wonder if something so void and devoid of any words, something as ineffable as loss could ever be explained through words? It can and it ought to be, since the communication is the purest form of connection between a man and a woman, a marriage of their ideas, an ideal in itself, an open door to the deepest human connection. As long as we perceive the words spoken outside of our heads (in the books, songs or mouths of other people) as coded messages from the loved one, and as long we use all words existing inside of our heads as messages for our loved one, there will be connection. As such, the words are symbol of focus, of attention, and constant (re)invention of the significant other. Their presence signifies life, their absence – death (even in a symbolic manner) of the other.
Within this movie, the characters use words to reach to one another, somewhere, anywhere. With this movie the director uses words, to hopefully reach toward each one of us, everywhere. With this review, I use words, maybe also to reach to someone, somewhere, out there
Biljana Gjoneska www.evermind.me