I'd be curious to find out if this picture had any impact on the creation of the 1965/66 Western TV series "Branded" starring Chuck Connors. The plot of this movie is very similar to Episode #2 of that popular show. In the chapter titled 'The Vindicators' it's revealed that Jason McCord's (Connors) commanding officer, Major James Reed, had been going senile and was mentally incapacitated at the time of a major battle. McCord attempted to relieve him of command on that basis, since the Major refused to order a retreat in the face of overwhelming odds against one hundred forty Apaches.
The difference here is that Lieutenant Davenport (George Neise) is an arrogant know-it-all who refuses to accept Sergeant Wade McCoy's (Connors) advice on traveling through Mescalero Apache territory. Compounding Davenport's behavior is a head wound suffered in battle along with the heat of the desert in which they're traveling. The story line creates a bit of an anomaly in the character of the Lieutenant, who alternately appears coherent before becoming irrational again relative to the danger they face. Things get more complicated after the Apaches run off the troop's cavalry horses, and following a skirmish, two women are saved by McCoy who he takes captive as a potential bargaining chip with Apache Chief Victorio. One is an Indian squaw named Tula (Lisa Montell), the other is a white woman (Susan Cummings) who has lived with the Apaches and has become Tula's close friend.
There's a meaningful conversation between Ellen Carter (Cummings) and Sergeant McCoy in which the woman gets passionate in her belief that tolerance and hate exists on both sides between Indians and Whites, and that arriving at an understanding between them might lead to peace. That belief system is shattered after one of the hotheaded cavalry soldiers attempts to rape the woman, forcing her to re-examine how some individuals are just plain evil. As the story progresses, McCoy and Carter begin to have feelings for one another, as their situation becomes more precarious with the Apaches preparing for a final attack.
With only a handful of other reviews for the movie on this site, and most of them dismissing it as a just another cowboy and Indian flick, my approach is somewhat tempered by the comments I posted here. At only an hour, there's not much time to get more in depth with the characters and story line, but the inclusion of that dialog between Carter and McCoy provides ample food for thought. It also doesn't hurt that Chuck Connors was one of my favorite TV cowboys either, and the similarities in the story to the premise of one of his TV Western series (the other was 'The Rifleman') made it all that more interesting.
The difference here is that Lieutenant Davenport (George Neise) is an arrogant know-it-all who refuses to accept Sergeant Wade McCoy's (Connors) advice on traveling through Mescalero Apache territory. Compounding Davenport's behavior is a head wound suffered in battle along with the heat of the desert in which they're traveling. The story line creates a bit of an anomaly in the character of the Lieutenant, who alternately appears coherent before becoming irrational again relative to the danger they face. Things get more complicated after the Apaches run off the troop's cavalry horses, and following a skirmish, two women are saved by McCoy who he takes captive as a potential bargaining chip with Apache Chief Victorio. One is an Indian squaw named Tula (Lisa Montell), the other is a white woman (Susan Cummings) who has lived with the Apaches and has become Tula's close friend.
There's a meaningful conversation between Ellen Carter (Cummings) and Sergeant McCoy in which the woman gets passionate in her belief that tolerance and hate exists on both sides between Indians and Whites, and that arriving at an understanding between them might lead to peace. That belief system is shattered after one of the hotheaded cavalry soldiers attempts to rape the woman, forcing her to re-examine how some individuals are just plain evil. As the story progresses, McCoy and Carter begin to have feelings for one another, as their situation becomes more precarious with the Apaches preparing for a final attack.
With only a handful of other reviews for the movie on this site, and most of them dismissing it as a just another cowboy and Indian flick, my approach is somewhat tempered by the comments I posted here. At only an hour, there's not much time to get more in depth with the characters and story line, but the inclusion of that dialog between Carter and McCoy provides ample food for thought. It also doesn't hurt that Chuck Connors was one of my favorite TV cowboys either, and the similarities in the story to the premise of one of his TV Western series (the other was 'The Rifleman') made it all that more interesting.