Rocky Balboa (Sylvester Stallone) is a struggling Italian/American boxer who also earns cash collecting debts for shady Philadelphian 'businessman' Gazzo (Joe Spinell). When heavyweight boxing champion Apollo Creed (Carl Weathers) finds himself without an opponent for his upcoming match, he offers the unknown fighter a chance at the title as a gimmick, but doesn't count on Rocky's determination to go the distance.
I watched Martin Scorsese's Raging Bull not that long ago, an excellent film, but something of a downer—a gritty study of a not very nice character whose horrible personality and poor choices see him winding up losing everything. Rocky, on the other hand, is a real feel-good film about a guy on the skids who is given a once-in-a lifetime opportunity to make something of himself. It's an uplifting Cinderella story, a classic underdog tale that leaves the viewer with a big smile on their face, which is why I prefer it slightly over Scorsese's film.
Rocky also has a great story behind the making of the film which mirrors that of its main character: star Stallone went from an almost broke struggling actor to Hollywood mega-star by not only writing the script for Rocky, but also insisting that he play the title role. The rest, as they say, is history.
Those only familiar with Stallone's later action hero work will be surprised at how good an actor he is in his breakthrough role, tackling the drama just as well as the boxing: Rocky's burgeoning romance with shy pet store clerk Adrian (Talia Shire), his friendship with her brother Paulie (Burt Young), and his strained relationship with trainer Mickey (Burgess Meredith) are all handled superbly.
Director John G. Avildsen also manages all aspects of his film with aplomb, with the final fight between Rocky and Apollo being the absolute showstopper, a gruelling battle of wills, both combatants pushed to their limits. Add a rousing score from Bill Conti and what you have is an unmissable, uplifting classic of the '70s.
9.5 out of 10, rounded up to 10 for IMDb.
I watched Martin Scorsese's Raging Bull not that long ago, an excellent film, but something of a downer—a gritty study of a not very nice character whose horrible personality and poor choices see him winding up losing everything. Rocky, on the other hand, is a real feel-good film about a guy on the skids who is given a once-in-a lifetime opportunity to make something of himself. It's an uplifting Cinderella story, a classic underdog tale that leaves the viewer with a big smile on their face, which is why I prefer it slightly over Scorsese's film.
Rocky also has a great story behind the making of the film which mirrors that of its main character: star Stallone went from an almost broke struggling actor to Hollywood mega-star by not only writing the script for Rocky, but also insisting that he play the title role. The rest, as they say, is history.
Those only familiar with Stallone's later action hero work will be surprised at how good an actor he is in his breakthrough role, tackling the drama just as well as the boxing: Rocky's burgeoning romance with shy pet store clerk Adrian (Talia Shire), his friendship with her brother Paulie (Burt Young), and his strained relationship with trainer Mickey (Burgess Meredith) are all handled superbly.
Director John G. Avildsen also manages all aspects of his film with aplomb, with the final fight between Rocky and Apollo being the absolute showstopper, a gruelling battle of wills, both combatants pushed to their limits. Add a rousing score from Bill Conti and what you have is an unmissable, uplifting classic of the '70s.
9.5 out of 10, rounded up to 10 for IMDb.