The Assassin (2015)
4/10
Ancient Chinese Secret Not Revealed
5 January 2016
Warning: Spoilers
The Assassin Review

Maybe If You Were Born in China?

I say that because there's the distinct possibility that native-born Chinese might have the background necessary to comprehend this over- dressed political tale, which is only 105 minutes long but sure seems longer. There are a few splendid visuals—mostly nature scenes— but after that comes the big problem: it's very hard to figure out the who, what, and why. (And sometimes even the where.) The Assassin of the title is Yinniang, a young ninja-like superwoman sent by the nun who raised her to kill the governor of a province that is restless under the emperor's control. Turns out this governor was betrothed to the Yinniang but forced to marry someone else for political reasons. In short, it wasn't his choice, so why does she want to kill him for it? Why does the nun want him killed? No answer. As for the province's conflict with the emperor, that doesn't seem to go anywhere and nothing seems to happen. What's with the mistress faking menstruation? What's with the shaman-type who tries to kill her and then gets six arrows buried in his chest from close range but hardly knows it happened? What's with the guy who is almost buried alive? How long will it take you to realize that the governor's wife and mistress are not the same person? Political Incorrectness Warning: I saw this film with an Asian woman I've known well for more than 40 years. Neither of us could figure out what was going on, in part because, as she said, 'I hate to say this, but they really do all look alike.' That's because with almost no dialogue, few close-ups and most faces overwhelmed by costumes, individuals simply do not emerge. (Yinniang is uniformed in a severe, all-black outfit and the nun is always in white, but everyone else is wrapped or tented in a riot of rich, multi-colored finery.) On top of that, the story is not about people but politics, although there is a obligatory sword fight on the roof. Which brings me to my final question: What's with Chinese directors and swordfights on rooftops, huh?
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