The story is based on a husband and wife, both of whom paint. Einar does landscapes and Gerda, portraits.
They seem to have a happy life together in their 20s but Einar begins to explore his sexuality. At first Gerda goes along with it for entertainment but is shocked to find her husband is attracted to men. Enter the very busy, Ben Whishaw. His new persona, Lilly, takes over quickly and Gerda is as supportive as a spouse could be.
It is shocking how cruel the medical profession were - almost as though torturing somebody would create a positive change?! but it was really punishment, thinly veiled.
In fairness to Eddie R., few men can pull it off but his features are not so broad and masculine. He begins to become Lily, who favours sensual fabrics, like silk and velvet.
Looking for a more understanding society, they move to Paris where her portraits of Lilly bring Gerda success, which she enjoys. Enter Matthias Schoenaerts as a friend to both.
This film was beautifully shot and didn't need special effects or a huge cast to be engaging.
They seem to have a happy life together in their 20s but Einar begins to explore his sexuality. At first Gerda goes along with it for entertainment but is shocked to find her husband is attracted to men. Enter the very busy, Ben Whishaw. His new persona, Lilly, takes over quickly and Gerda is as supportive as a spouse could be.
It is shocking how cruel the medical profession were - almost as though torturing somebody would create a positive change?! but it was really punishment, thinly veiled.
In fairness to Eddie R., few men can pull it off but his features are not so broad and masculine. He begins to become Lily, who favours sensual fabrics, like silk and velvet.
Looking for a more understanding society, they move to Paris where her portraits of Lilly bring Gerda success, which she enjoys. Enter Matthias Schoenaerts as a friend to both.
This film was beautifully shot and didn't need special effects or a huge cast to be engaging.