7/10
Weird and unique...and worth your time.
25 October 2015
The fact that "The Boss of it All" is a strange film isn't unusual given it was directed by Lars von Trier. He's known for making unusual films and prides himself for his adherence to the posits of the so-called 'Dogma 95' film movement--one that makes many demands for its films, such as the story being placed in the present, the use of natural settings and the frequent use of hand-held cameras (among other things).

The film begins unusually--with a narrator acknowledging that this is a film and making comments about the story and cinematography! It also ends in pretty much the same way and even has a point in the middle where more comments are made (presumably by von Trier).

The story is about a very deceptive man. While Ravn appears to be a nice guy and his co-workers love him because he's 'like a cuddly bear', this is only a persona he puts on himself. Actually, he's a cutthroat businessman. Everyone thinks he's just a co-worker but he actually owns the company and has maneuvered everyone to sink their saving and energy into the company. But he's actually planning on selling his company to a group of Icelandic businessmen who HATE Danes and plan on firing everyone and making Ravn rich....and leaving his employees out in the cold with nothing! So how does he do this? He has created a fake boss--an absentee boss. But the folks who want to buy the company ALSO think there is such a boss. And, to finalize the deal, he needs to create a fake boss--a hatchet man who can sign off on the deal AND be blamed for everyone losing their jobs. To do this, he hires an out of work actor...but somehow his plan doesn't go as planned!

Believe it or not, this movie reminds me of an episode of "Cheers" that debuted long before this movie. In it, Norm owned a painting company and none of his workers worked hard or had any respect for working-- so he created an alter-ego, Anton Keitzer, who was a nasty monster and intimidated the workers into doing their jobs! It's a funny idea and it works just fine in the film. While it is funny, it's not hilarious however and I have the feeling it could have been funnier-- particularly if von Trier had made the film in a more conventional style. Still, it's well worth seeing.
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