Having heard that the long lost second reel of 'The Battle of The Century' was to be screened with the present extant footage after the former's recent rediscovery,it was an opportunity as a devoted L & H buff I simply could not turn down.So I waited with baited breath for the screening at the Southbank Centre,London,on October 16th 2015.
Hosts the BFI rather cleverly prepared for this very special occasion in both Laurel and Hardy and film history by showing three L & H silents (You're Darn Tootin',Double Whoopee,Big Business) with excellent live piano and flute accompaniment while we waited for the eagerly anticipated coda.It wasn't quite a full house,but nearly,and the disappointment of the still missing sequence where Eugene Palette sells The Boys an insurance policy was soon tempered by it's segue into the second reel (indicated in such terms by a brief subtitle).How exciting it was for me to see the first 'new' footage of Laurel and Hardy since previously lost films like 'Duck Soup' and 'Why Girls Love Sailors' became available on the home video market around two decades ago.
The found footage begins with the well-documented scene where Ollie tries to cause Stan an accident by throwing banana skins on to the pavement,only for a cop to slip onto the ground,with Ollie blaming Stan and getting hit on the head with the cop's truncheon,developing a massive bump on the head.The famous pie fight that starts soon after is far more carefully constructed than the previous extant version which had been edited by Robert Youngson for his compilation film 'The Golden Age of Comedy',and is perhaps all the better for it.Previously,after Charlie Hall had slipped on another of Ollie's banana peels,he retaliated immediately with a pie in Ollie's face,but the full version sees some initial comic business beforehand.We see several more combatants involved around the pie wagon compared to the previous footage,most surprisingly of all Eugene Palette,who reappears and states in as many words: "...you can't throw pies without proper insurance....." before promptly getting pies in the face himself from all kinds of angles!
There is one more notable variation where the pies hit their target;added to subjects like a postman handing soggy letters from a mailbox,a man getting hit by pie while being served pies and a dental patient getting a mouthful of pie,is a homely middle-aged woman getting her rug splattered by a pie while dusting it outdoors.The previous extant footage ended famously with Anita Garvin falling bottom first onto a pie thrown to the pavement by Stan,but the much vaunted final gag where a cop gets a pie in the face after asking The Boys who started the pie fight ("What pie fight?",replies Ollie) and chases them down the street is fully intact.
The whole programme was heartily appreciated by the audience,though perhaps the importance of the rediscovered footage of 'Battle' was not quite fully realised with the exception of myself and other fellow Sons of The Desert (the official Laurel and Hardy appreciation society) present in the large numbers there.When that second reel did start it was just total tunnel vision from my point of view,wide-eyed in virtual amazement like a small child but having to just concentrate on footage that has not been seen in this form for nearly 90 years.It was mightily hard to avoid being too awestruck,but after the most extraordinary evening regarding Laurel and Hardy for decades,my main wish later after discussions with equally astonished friends and colleagues is that this nearly complete version of 'Battle' deserves to be shown to more Sons,the public and indeed the World as Laurel and Hardy belong to us all.And the sooner the better.
Rating:7 and a half out of 10.
Hosts the BFI rather cleverly prepared for this very special occasion in both Laurel and Hardy and film history by showing three L & H silents (You're Darn Tootin',Double Whoopee,Big Business) with excellent live piano and flute accompaniment while we waited for the eagerly anticipated coda.It wasn't quite a full house,but nearly,and the disappointment of the still missing sequence where Eugene Palette sells The Boys an insurance policy was soon tempered by it's segue into the second reel (indicated in such terms by a brief subtitle).How exciting it was for me to see the first 'new' footage of Laurel and Hardy since previously lost films like 'Duck Soup' and 'Why Girls Love Sailors' became available on the home video market around two decades ago.
The found footage begins with the well-documented scene where Ollie tries to cause Stan an accident by throwing banana skins on to the pavement,only for a cop to slip onto the ground,with Ollie blaming Stan and getting hit on the head with the cop's truncheon,developing a massive bump on the head.The famous pie fight that starts soon after is far more carefully constructed than the previous extant version which had been edited by Robert Youngson for his compilation film 'The Golden Age of Comedy',and is perhaps all the better for it.Previously,after Charlie Hall had slipped on another of Ollie's banana peels,he retaliated immediately with a pie in Ollie's face,but the full version sees some initial comic business beforehand.We see several more combatants involved around the pie wagon compared to the previous footage,most surprisingly of all Eugene Palette,who reappears and states in as many words: "...you can't throw pies without proper insurance....." before promptly getting pies in the face himself from all kinds of angles!
There is one more notable variation where the pies hit their target;added to subjects like a postman handing soggy letters from a mailbox,a man getting hit by pie while being served pies and a dental patient getting a mouthful of pie,is a homely middle-aged woman getting her rug splattered by a pie while dusting it outdoors.The previous extant footage ended famously with Anita Garvin falling bottom first onto a pie thrown to the pavement by Stan,but the much vaunted final gag where a cop gets a pie in the face after asking The Boys who started the pie fight ("What pie fight?",replies Ollie) and chases them down the street is fully intact.
The whole programme was heartily appreciated by the audience,though perhaps the importance of the rediscovered footage of 'Battle' was not quite fully realised with the exception of myself and other fellow Sons of The Desert (the official Laurel and Hardy appreciation society) present in the large numbers there.When that second reel did start it was just total tunnel vision from my point of view,wide-eyed in virtual amazement like a small child but having to just concentrate on footage that has not been seen in this form for nearly 90 years.It was mightily hard to avoid being too awestruck,but after the most extraordinary evening regarding Laurel and Hardy for decades,my main wish later after discussions with equally astonished friends and colleagues is that this nearly complete version of 'Battle' deserves to be shown to more Sons,the public and indeed the World as Laurel and Hardy belong to us all.And the sooner the better.
Rating:7 and a half out of 10.