7/10
Not as good as the original, but still worthwhile
3 July 2015
Everybody knows that remakes are never much cop – very rarely do they improve on the often classic originals. ASSAULT ON PRECINCT 13 isn't better than the John Carpenter film from the '70s, but it IS a decent remake. This is because it updates and changes the original film in positive ways that make it different enough to be worth watching. That, and the fact that it's a very good little thriller in itself.

The gang in the Carpenter movie was scary because it was random. There was no motive, just the fact that they were out to kill people for the fun of it. That's gone in this movie; the gang here has a definite motive that leads them into a life-or-death struggle for survival. There's a big twist which I won't reveal, but the fact that the gang are all armoured and possessing high-power weapons makes them even more of a threat than in the original movie. I loved it. Key scenes from the Carpenter movie are revisited, but turned around on their head to seem fresh and new.

The worst thing about the film is probably the script, which relies far too heavily on profanity for effect. This is a big no-no, in my opinion, and reveals a dearth of imagination in James De Monaco's screenplay. Still, French director Jean-Francois Richet makes a decent fist of it, investing his film with plenty of suspense and tension, and the action scenes are all very well handled. I was frequently on the edge of my seat, and I haven't been able to say that about many recent action films from Hollywood. The only bit I didn't like was a bit ripped off from DIE HARD 2 where an icicle is used to dispatch a bad guy.

ASSAULT ON PRECINCT 13 also benefits from an ensemble cast who make the best of what the script gives them. Ethan Hawke, who I never have liked – and still don't like much – works hard in the lead hero role. His work doesn't quite pay off and make him charismatic, but I think he does a good job, for what it's worth. Laurence Fishburne's still trading on his 'king of cool' image that he gained from THE MATRIX trilogy, so he doesn't have to do much work here, but he's one of the actors holding it all together. Gabriel Byrne is underused, as is Brian Dennehy, although it's nice to see the latter actor back on screen in a role reminiscent of his one from FIRST BLOD. Elsewhere we have John Leguizamo (CARLITO'S WAY) having fun as an on-the-edge addict, Maria Bello a little out of place, Ja Rule better than he was in HALF PAST DEAD, Kim Coates playing a jerk yet again, and Drea de Matteo as a lowlife. What's more to say?
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