The must use adjectives are thrilling and mind blowing. Seriously, the motion picture directed and written by Cédric Jimenez was emotionally heavy. The movie was inspired by true events set in the 1970s. It was about a Neapolitan Mafia Boss Tanny Zampa who ran a French extortion gang in Marseille, France. The Kingpin and his mob later exploded into 'The Connection'. It meant heroin purchased from Turkey being flood into New York by the French Mafia. What stood in their way was dedicated detective Pierre Michel who raged bloody war against their money laundering Empire.
In addition, this action packed Noir was set in Marseille, France. I loved how the opening scene exposed a landscape filled with historical buildings, palm trees, straight roads and the sea that reflected blue from the sky. The vibrating and aggressive sound from the motorbike gave the picture a dramatic sound. Expressive music which featured a woman singing her heart out gave a lovely mood. The song was Jerome sang by Lykke Li. Bang! Bang! Bullets flashed at a car driver on the streets. Hit men on motorbike were like characters from a western movie shooting down their victim. The act created a contrast from beautiful to horrendous.
What is more, the tense violence gave the film justice. It empathised the horrors of the French Mafia who imported tons of heroin from Turkey to France and New York City. The pace was very fast. It demonstrated how society was corrupt by dangerous mobsters who rhymed with monsters. The viciousness contained scenes of Zampa and his henchmen killing those who did not pay up protection rackets. The shootings would be extremely loud and bloody. Graphic tortures was like a rakish rhythm in the content. It showed how evil bloodbaths were. There are media reports of President Nixon declaring war against drugs. This showed what impact on drug affairs did on lives.
Moreover, Tanny Zampa was like a black and white painting. He loved his family and destroyed his enemies. He owned a fabulous club in Marseille. The dedicated detective Pierre Michel was hungry to bring an end to 'The Connection'. Pierre went to the extent in taking the law into his own hands to expose his patriotic nature. The two main contrasting characters had their glorious rise and tragic downfalls.
To add, a scene which I also liked the most was when Tanny and his thugs interrogated their extortion victim. The sufferer was strapped to a chair. He wore his fabulous tuxedo. The room had silver walls. The scene played classic disco music which empathised disturbing psychology on mobsters killing legit people who did not pay up protection rackets. A gunned down casino owner. Left to bleed in a car park in broad day light. Tanny and his boys walked off like it just was business nothing personal.
To carry on, the visualisation had some glimpse shots, fast forwarding and an expression in chiaroscuro. The film looked like a production from the 1970s. This helped empathise the time period. Laurent Tangy as the cinematographer expressed the contrast between light and shade. It resulted to the picture having a dark and light atmosphere. From urban to a reveal location, the lighting exposed the two different worlds. In Tanny's nightclub the cinematographer strengthen the shade and exaggerated the lighting. The high saturation was the icing on the cake. The camera shots in the French picture had long distance shots, up right footages and birds eye view. This implied the importance of society.
As a continuation, soundtrack included an orchestra, disco music and electronic. The sound effects in the film created a tense tone. It backed up how 'The Connection' had a negative effect on Marseille and New York. The emotionally heavy orchestra which was played in the end implied the tragic downfalls of the two opposing characters. Detective Pierre was shot and left to death in his neighbourhood. Crime Boss Tanny was finally arrested as his Empire crumbled.
For the story itself, all I can say is that it was about time to have a cinematic film about the rise and the downfall of the French heroin connection based in the 1970s. Watching the same old Sopranos could not compete with this breed of Gangsterism due to the fact that 'The Connection' focused on the sociological theme. The content was unique, because I was getting bored watching the same old Italian wise guys like 'Goodfellas', 'Mean Streets' and 'The Sopranos.' Those three titles do not go into political depth. Cinema needs more genres which are so different.
All in all, I give this film a solid .. 8/10.
In addition, this action packed Noir was set in Marseille, France. I loved how the opening scene exposed a landscape filled with historical buildings, palm trees, straight roads and the sea that reflected blue from the sky. The vibrating and aggressive sound from the motorbike gave the picture a dramatic sound. Expressive music which featured a woman singing her heart out gave a lovely mood. The song was Jerome sang by Lykke Li. Bang! Bang! Bullets flashed at a car driver on the streets. Hit men on motorbike were like characters from a western movie shooting down their victim. The act created a contrast from beautiful to horrendous.
What is more, the tense violence gave the film justice. It empathised the horrors of the French Mafia who imported tons of heroin from Turkey to France and New York City. The pace was very fast. It demonstrated how society was corrupt by dangerous mobsters who rhymed with monsters. The viciousness contained scenes of Zampa and his henchmen killing those who did not pay up protection rackets. The shootings would be extremely loud and bloody. Graphic tortures was like a rakish rhythm in the content. It showed how evil bloodbaths were. There are media reports of President Nixon declaring war against drugs. This showed what impact on drug affairs did on lives.
Moreover, Tanny Zampa was like a black and white painting. He loved his family and destroyed his enemies. He owned a fabulous club in Marseille. The dedicated detective Pierre Michel was hungry to bring an end to 'The Connection'. Pierre went to the extent in taking the law into his own hands to expose his patriotic nature. The two main contrasting characters had their glorious rise and tragic downfalls.
To add, a scene which I also liked the most was when Tanny and his thugs interrogated their extortion victim. The sufferer was strapped to a chair. He wore his fabulous tuxedo. The room had silver walls. The scene played classic disco music which empathised disturbing psychology on mobsters killing legit people who did not pay up protection rackets. A gunned down casino owner. Left to bleed in a car park in broad day light. Tanny and his boys walked off like it just was business nothing personal.
To carry on, the visualisation had some glimpse shots, fast forwarding and an expression in chiaroscuro. The film looked like a production from the 1970s. This helped empathise the time period. Laurent Tangy as the cinematographer expressed the contrast between light and shade. It resulted to the picture having a dark and light atmosphere. From urban to a reveal location, the lighting exposed the two different worlds. In Tanny's nightclub the cinematographer strengthen the shade and exaggerated the lighting. The high saturation was the icing on the cake. The camera shots in the French picture had long distance shots, up right footages and birds eye view. This implied the importance of society.
As a continuation, soundtrack included an orchestra, disco music and electronic. The sound effects in the film created a tense tone. It backed up how 'The Connection' had a negative effect on Marseille and New York. The emotionally heavy orchestra which was played in the end implied the tragic downfalls of the two opposing characters. Detective Pierre was shot and left to death in his neighbourhood. Crime Boss Tanny was finally arrested as his Empire crumbled.
For the story itself, all I can say is that it was about time to have a cinematic film about the rise and the downfall of the French heroin connection based in the 1970s. Watching the same old Sopranos could not compete with this breed of Gangsterism due to the fact that 'The Connection' focused on the sociological theme. The content was unique, because I was getting bored watching the same old Italian wise guys like 'Goodfellas', 'Mean Streets' and 'The Sopranos.' Those three titles do not go into political depth. Cinema needs more genres which are so different.
All in all, I give this film a solid .. 8/10.