Telstar is the satellite that inspired British music producer and his in house band The Tornadoes to launch the instrumental record which became the first US number 1 hit by a British group.
Meek who operated out of the top of of a leather good shop was a maverick like Phil Spector, and just like Spector with a fondness of guns.
The film starts and feels like a stage play very much in keeping with its origins as a stage play and low budget adaptation as a film. Con O'Neill (reprising the part from the play) plays Meek, harried, frazzled, on the edge with drugs keeping him going. Kevin Spacey makes a cameo as Major Banks his business backer who keeps the whole enterprise in even keel as we find that Meek is certainly no businessman.
Somewhere within the chaos of the upstairs apartment cum music studio Meek who could not read or write music and was ridiculed for being tone deaf managed to produced a string of heats and had major musician working under him such as Ritchie Blackmore, Chas Hodges. I shall omit Screaming Lord Sutch as a major musician though.
However the pill popping, plagiarism accusations, arrest for importuning in a public toilet, his falling out with the Major lead to deepening financial turmoil and the falling out with friends and musicians. The hits dried up and in a tragic demise he ended up shooting his landlady and himself.
The film by actor turned director Nick Moran is rather messy. Moran does well with a low budget to evoke a sixties atmosphere which is away from the swinging which was so beloved by past filmmakers.
Its nice to see support from Spacey, James Corden as well as some of the real life people who associated with Meek turn up such as Jess Conrad.
However the film feels overlong and as Moran tries to imbue Meek with some psychological character traits based on his upbringing and his past family life it feels like a failure as it adds little. Many people of his generation had family affected by The Great War or trauma in childhood.
I found this a middling film whose kinetic energy runs out midway through and the film starts to drag until the tragic ending.
Meek who operated out of the top of of a leather good shop was a maverick like Phil Spector, and just like Spector with a fondness of guns.
The film starts and feels like a stage play very much in keeping with its origins as a stage play and low budget adaptation as a film. Con O'Neill (reprising the part from the play) plays Meek, harried, frazzled, on the edge with drugs keeping him going. Kevin Spacey makes a cameo as Major Banks his business backer who keeps the whole enterprise in even keel as we find that Meek is certainly no businessman.
Somewhere within the chaos of the upstairs apartment cum music studio Meek who could not read or write music and was ridiculed for being tone deaf managed to produced a string of heats and had major musician working under him such as Ritchie Blackmore, Chas Hodges. I shall omit Screaming Lord Sutch as a major musician though.
However the pill popping, plagiarism accusations, arrest for importuning in a public toilet, his falling out with the Major lead to deepening financial turmoil and the falling out with friends and musicians. The hits dried up and in a tragic demise he ended up shooting his landlady and himself.
The film by actor turned director Nick Moran is rather messy. Moran does well with a low budget to evoke a sixties atmosphere which is away from the swinging which was so beloved by past filmmakers.
Its nice to see support from Spacey, James Corden as well as some of the real life people who associated with Meek turn up such as Jess Conrad.
However the film feels overlong and as Moran tries to imbue Meek with some psychological character traits based on his upbringing and his past family life it feels like a failure as it adds little. Many people of his generation had family affected by The Great War or trauma in childhood.
I found this a middling film whose kinetic energy runs out midway through and the film starts to drag until the tragic ending.