Viggo Mortensen's American and Ryo Ishibashi's Yakuza, Highlight this Low-Budget Gangster Movie that Never Really Amounts to More than a Slightly Above Average Go for this Type of Thing.
It Seems to Try Some Stylish Turns Here and There but the Violence for Example is Tone Inconsistent and this Makes for an Odd Feel to the Film. The Shootouts are Kinetic and Bloody but when it's Up Close and Personal the Movie Switches its Gear and Cuts Away at the Last Minute.
Wanting to have it Both Ways Makes for a Frustrating Tone as the Film can't Decide on What it is. A Personal Inside Story of Loyalty and "Friendship" or a Kick-Butt John Woo Ripoff.
Overall, Worth a Watch for the Two Lead Performances and Some Scenes that Work Well with Good Cinematography. The Movie Looks Better than Most B-Movies with a Soft Color Scheme that Adds a Bit of a Laid Back Ambiance. However, the Italian Mob-FBI-Yakuza Angle is a Lackluster Affair and Not Handled Very Well.
It Seems to Try Some Stylish Turns Here and There but the Violence for Example is Tone Inconsistent and this Makes for an Odd Feel to the Film. The Shootouts are Kinetic and Bloody but when it's Up Close and Personal the Movie Switches its Gear and Cuts Away at the Last Minute.
Wanting to have it Both Ways Makes for a Frustrating Tone as the Film can't Decide on What it is. A Personal Inside Story of Loyalty and "Friendship" or a Kick-Butt John Woo Ripoff.
Overall, Worth a Watch for the Two Lead Performances and Some Scenes that Work Well with Good Cinematography. The Movie Looks Better than Most B-Movies with a Soft Color Scheme that Adds a Bit of a Laid Back Ambiance. However, the Italian Mob-FBI-Yakuza Angle is a Lackluster Affair and Not Handled Very Well.