Three college acquaintances spend time in an old Victorian mansion. One of them starts seeing visions of events from the previous century, involving a young woman who previously lived in the house. These hallucinations seem to involve an incident where her brother committed her to an insane asylum despite nothing actually being wrong with her.
Ghost Story has a reasonably interesting cast at its disposal. It includes the ultra-camp Murray Melvin (The Devils, Barry Lyndon) as the effeminate host who invites the others to the mansion; friend of The Rolling Stones Marianne Faithful also stars in the role of the ghostly girl, while To the Manor Born's Penelope Keith also appears. But unfortunately, even with this cast there is terrible chemistry between the actors. Meaning its difficult becoming very involved in their story and it is a weak story at that. The narrative is split into two threads – the current day and the ghostly flashback – but the period story is far superior to the anaemic contemporary one. This means that when events return to the three foppish central characters the film really drags. There are admittedly some decent sequences in the ghostly section such as the scene in the asylum. But overall, there really isn't enough good material here to make this obscurity worth checking out.
Ghost Story has a reasonably interesting cast at its disposal. It includes the ultra-camp Murray Melvin (The Devils, Barry Lyndon) as the effeminate host who invites the others to the mansion; friend of The Rolling Stones Marianne Faithful also stars in the role of the ghostly girl, while To the Manor Born's Penelope Keith also appears. But unfortunately, even with this cast there is terrible chemistry between the actors. Meaning its difficult becoming very involved in their story and it is a weak story at that. The narrative is split into two threads – the current day and the ghostly flashback – but the period story is far superior to the anaemic contemporary one. This means that when events return to the three foppish central characters the film really drags. There are admittedly some decent sequences in the ghostly section such as the scene in the asylum. But overall, there really isn't enough good material here to make this obscurity worth checking out.