I picked out CLASH from the shelves on the strength of it being a Vietnamese martial arts thriller – and knowing the calibre of recent Thai fare in the same genre, I was hoping it would be up to the challenge. Sadly, it turns out to be a bit of a lacklustre effort, one that's hampered by a low budget and a lack of creativity and freedom in delivering the action.
As soon as the central team are holed up in a dilapidated, run-down old country house as their base of operations, I knew this would be a shot-on-the-cheap kind of movie. And so it turns out to be. Strangely, the plot seems to be virtually copied from the Frankenheimer movie RONIN, right down to the hotel stakeout, the double cross, and the reveal of one character's background at the end. Needless to say, it doesn't hold a candle to that movie.
Instead, this is the kind of predictable and slightly cheesy fare that appears to have been done on the cheap. The script is poor and the performances are nothing to write home about, which leaves us with the martial arts to contend with. I can report that the fights are pretty well staged, if not reaching the same level of greatness that we saw in ONG BAK, for example. Johnny Nguyen is a great fighter, but the camera doesn't love him like it loves him in WARRIOR KING and it's all just a little bit by rote. The same goes for Ngo Thanh Van – she's arresting, but only on a B-movie level.
The result is a film that's average at best, and which feels a little bit stale and past it's sell by date. Nevertheless, I plan to check out a few more Vietnamese movies to see what they're capable of delivering.
As soon as the central team are holed up in a dilapidated, run-down old country house as their base of operations, I knew this would be a shot-on-the-cheap kind of movie. And so it turns out to be. Strangely, the plot seems to be virtually copied from the Frankenheimer movie RONIN, right down to the hotel stakeout, the double cross, and the reveal of one character's background at the end. Needless to say, it doesn't hold a candle to that movie.
Instead, this is the kind of predictable and slightly cheesy fare that appears to have been done on the cheap. The script is poor and the performances are nothing to write home about, which leaves us with the martial arts to contend with. I can report that the fights are pretty well staged, if not reaching the same level of greatness that we saw in ONG BAK, for example. Johnny Nguyen is a great fighter, but the camera doesn't love him like it loves him in WARRIOR KING and it's all just a little bit by rote. The same goes for Ngo Thanh Van – she's arresting, but only on a B-movie level.
The result is a film that's average at best, and which feels a little bit stale and past it's sell by date. Nevertheless, I plan to check out a few more Vietnamese movies to see what they're capable of delivering.