watching The Red Road is like patiently watching fog lift before your eyes. little by little we see the shape of the story and depths of these characters unveiled. father and son Kopus, Marie, Jean, and Harold are the most fascinating to discover. they are each deliciously multi-layered.
i think the direction, editing and acting are close to excellent because each scene is drawn out to perfect measure to increase tension or allow for emotional saturation. the only drawback for me so far are the segments dedicated to the star-crossed teenage lovers who may become irksome as forced interjections of sweetness in what would otherwise be a properly moody atmosphere of familial and racial turbulence.
somehow, i like the moody brooding atmosphere of this show. i'm transported by the stillness of the wide shots of woods, lakes and open fields. it's easy to become invested in the place and characters. there is no rush and i like that too. each word is measured, except of course with the character of Jean who is a force of nature in herself, so much so that her ramblings make you dizzy --awesome Julianne Nicholson. Jason Momoa and Tom Sizemore make sinister look good. Martin Henderson is a revelation for me because I have never found him to be particularly impressive. it is also so good to see Tamara Tunie in a completely different light (literally) from her drab post on L&O:SVU.
but if you're looking for weekly action, blood, profanity, sex, and breakneck speed...you won't get much of that here. meanwhile, i am enjoying the slow reveal of illicit activity, emotional disturbance and family drama. i think it's definitely a worthy watch.
i think the direction, editing and acting are close to excellent because each scene is drawn out to perfect measure to increase tension or allow for emotional saturation. the only drawback for me so far are the segments dedicated to the star-crossed teenage lovers who may become irksome as forced interjections of sweetness in what would otherwise be a properly moody atmosphere of familial and racial turbulence.
somehow, i like the moody brooding atmosphere of this show. i'm transported by the stillness of the wide shots of woods, lakes and open fields. it's easy to become invested in the place and characters. there is no rush and i like that too. each word is measured, except of course with the character of Jean who is a force of nature in herself, so much so that her ramblings make you dizzy --awesome Julianne Nicholson. Jason Momoa and Tom Sizemore make sinister look good. Martin Henderson is a revelation for me because I have never found him to be particularly impressive. it is also so good to see Tamara Tunie in a completely different light (literally) from her drab post on L&O:SVU.
but if you're looking for weekly action, blood, profanity, sex, and breakneck speed...you won't get much of that here. meanwhile, i am enjoying the slow reveal of illicit activity, emotional disturbance and family drama. i think it's definitely a worthy watch.