A war movie that's also a "women's film", or a "women's film" that's also a war movie
16 November 2013
SO PROUDLY WE HAIL! (1943) has hard-hitting battleground action while telling a story about women (U.S. Army nurses) and women's issues. It's very well-done. The nurses struggle with their duty and their personal lives (romances, etc.) while facing the horrors of war. The special effects are surprisingly effective, rocking the camera with brutal explosions, and the war-zone drama is sure to bring a tear to one's eye.

The setting of the action is the Bataan Peninsula in the Philippines, where U.S. forces were hopelessly outnumbered and cut off from relief early in WWII. The film was made in the middle of the war when the outcome was anything but certain. It's a bit unusual in Hollywood films to see the U.S. losing battles. Seeing the Americans routed by the Japanese in the Philippines almost makes one wonder if the U.S. had a chance in the Pacific. The film has a patriotic flavor and seems to say that Americans have the courage and the spirit to overcome the early setbacks and get the job done (in the name of freedom, etc.).

Claudette Colbert is solid as always in the lead, playing the selfless officer looking after the other girls. Paulette Goddard gives a great performance, earning an Oscar nomination. She's all personality. She's funny, but not overly so, and has some touching dramatic moments. Viewers will also see a side to Veronica Lake they'd never expect. Dark and serious.

George Reeves plays the soldier who falls in love with Colbert, giving her someone to worry about while she works to keep the hospital base running despite short supplies and occasional Japanese air raids. Marine Sonny Tufts pairs off with Goddard in a sweet, but more comical relationship.

Directed by Astaire-Rogers musical-comedy veteran Mark Sandrich, SO PROUDLY WE HAIL! is a very effective war drama. Even though it focuses on the nurses and not the soldiers, the depiction of war is gritty and tough. The action scenes pull no punches. Viewers sympathize with the characters in their personal struggles, but also with the greater American forces in the context of the war. It's interesting to see a film like this made during WWII when things could've gone either way for the "good guys". Sonny Tufts can't believe the U.S. is on the losing side of the Battle of Bataan. Claudette Colbert gives a speech about the reality of war, with Americans being killed in places Americans used to think of as exotic and far away. It's a global affair and the U.S. was in it now, for keeps.

7.5/10
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