"Triad Election" takes viewers deep into a ritualized world of the Triad Society crime organization which is full of betrayal, backstabbing, and power-grabbing moves for power. The movie contains complex characters, scheming political machinations, and explosive action sequences that creates balance against Jonnie To's unique directorial style and subversive plot twists. "Triad" is the sequel to the wildly successful "Election" (2005), which earned a number of awards and nominations including Best Film, Best Director, and Best Screenplay at the Hong Kong Film Awards in 2006. The "Triad" storyline expounds from its predecessor with a political subtext: the candidates here, elegantly played by Koo and Yam, are not only trapped by their own lust of power or wealth, but also by the mainland Chinese government's omniscient influence. To merges an intelligent screenplay with the hardball tactics of the Hong Kong underworld which contains political undertones and transcends an otherwise conventional crime drama storyline.
The slow burn caper maintains a business-like atmosphere, while its general sense of tranquility is interrupted with sudden bursts of intense violence. Noticeably absent is the trademark two-fisted gun play, sunglasses, and highly stylized action sequences so prevalent in Woo's films. To underplays the spectacle of violence -- he's more interested in the how the escalation reveals the character of the candidates. The majority of "Triad Election" is about the political maneuvering of organized crime, but when the conversations end, make no mistake, the blood flows mightily. "Triad Election" strongly resembles "The Godfather Part II" (1974), but it's resolutely a Chinese story, reaching back to the origins of Hong Kong crime syndicates, and showing how they struggle to keep a foothold in a modernized world. There are great modern crime movies out there -- Michael Mann's "Heat" (1995), Martin Scorsese's "Goodfellas" (1990), and Andrew Lau and Alan Mak's "Infernal Affairs" trilogy. "Triad Election" unquestionably belongs with such illustrious company.
The slow burn caper maintains a business-like atmosphere, while its general sense of tranquility is interrupted with sudden bursts of intense violence. Noticeably absent is the trademark two-fisted gun play, sunglasses, and highly stylized action sequences so prevalent in Woo's films. To underplays the spectacle of violence -- he's more interested in the how the escalation reveals the character of the candidates. The majority of "Triad Election" is about the political maneuvering of organized crime, but when the conversations end, make no mistake, the blood flows mightily. "Triad Election" strongly resembles "The Godfather Part II" (1974), but it's resolutely a Chinese story, reaching back to the origins of Hong Kong crime syndicates, and showing how they struggle to keep a foothold in a modernized world. There are great modern crime movies out there -- Michael Mann's "Heat" (1995), Martin Scorsese's "Goodfellas" (1990), and Andrew Lau and Alan Mak's "Infernal Affairs" trilogy. "Triad Election" unquestionably belongs with such illustrious company.