It's a rare thing that a sequel made decades later can surpass the quality of the original, but such is the case for The Birds II: Land's End.
Rick Rosenthal, of Halloween II and Halloween: Resurrection, cements himself with this film as this generation's Alfred Hitchcock. Every now and then, a visionary director will take a stale premise and breathe life and energy into the project. This is where Rosenthal surpasses Hitchcock in every respect. For instance, while the original "The Birds" is well regarded as a "classic", few remember that it was originally in black and white. While Hitchcock struggled to capture color on film, Rosenthal displays a wide range of them, effortlessly. While the first film presented the audience with two-dimensional antagonists, Land's End takes us deep within the minds of the birds- making for a much more frightening experience. We empathize with the birds, but Rosenthal deftly balances this with their carnal, innate evil, to the point where it's difficult not to root for them. There's a carnal sexuality to these birds that was sorely lacking from the original. Where they were simply black and white before, now the birds are brought to life, more complex (and sexy) than ever before.
I recommend this film to students of film, fans of fun, and generally anyone looking to have a "hoot" of a time. It's clear no one on this production was "eating crow" after filming. All around, this is a "coo" movie, not for the jay-ded.
Rick Rosenthal, of Halloween II and Halloween: Resurrection, cements himself with this film as this generation's Alfred Hitchcock. Every now and then, a visionary director will take a stale premise and breathe life and energy into the project. This is where Rosenthal surpasses Hitchcock in every respect. For instance, while the original "The Birds" is well regarded as a "classic", few remember that it was originally in black and white. While Hitchcock struggled to capture color on film, Rosenthal displays a wide range of them, effortlessly. While the first film presented the audience with two-dimensional antagonists, Land's End takes us deep within the minds of the birds- making for a much more frightening experience. We empathize with the birds, but Rosenthal deftly balances this with their carnal, innate evil, to the point where it's difficult not to root for them. There's a carnal sexuality to these birds that was sorely lacking from the original. Where they were simply black and white before, now the birds are brought to life, more complex (and sexy) than ever before.
I recommend this film to students of film, fans of fun, and generally anyone looking to have a "hoot" of a time. It's clear no one on this production was "eating crow" after filming. All around, this is a "coo" movie, not for the jay-ded.