The other two were the 2002 film, which was not perfect and not the most ideal of adaptations but has many merits and is better than some say, and the very good and faithful 1977 series with Nigel Havers. This adaptation does condense the book, being only a little over three hours, but of the three adaptations seen it's the best one. Can't wait to see the 1982 version with Alun Armstrong as Squeers, which promises to be even better if going by what I've heard of it, and the 1947 film will be seen as well. The only let-downs with this 2001 adaptation is the overly-bombastic and overblown music score and Madeline Bray's overdone make-up, made up to look much richer than what her character actually is.
Adaptation-wise, it is more than respectable, doing a brave job squeezing a huge story with so many characters and a sprawling narrative within the running time. There are omissions of course with some things added in(like how Sir Mulberry Hawke acts towards Kate, which makes him an even more lecherous character), but things move swiftly and fluidly while having time to breathe and effort is made into richness of characterisation. The storytelling does make an effort to be true to Dickens and does so without being too cold(you feel for Nicholas and Smike and hate Sir Ralph and Squeers for instance), it's also cohesively told.
In regard to the dialogue, that is also easy to understand while not sounding too modernised. It's not as effectively Dickenesian as the 1977 series, but still has a natural flow to it, and captures the comic and tragic elements better than one would expect. The adaptation looks great, the photography is both beautiful and unflinching- remarkable for the many tonal shifts- and the costumes and sets are opulent yet evocative of the time too. The direction keeps making the drama believable, without making it come across as too over-acted or cold, each scene flows into one another in a non-choppy way and the shifts are handled well.
We have some really excellent performances as well. James D'Arcy plays Nicholas so charmingly and believably that you identify with him every step of the way. In other principal roles the standouts were Charles Dance, whose Sir Ralph is cold, icy and conflicted all done with superb conviction, and the Smike of Lee Ingelby, who has never been more moving. Though there's also Sophia Myles, who is enchanting and is by far and large the best of the three Kates, and Gregor Fisher's utterly despicable Mr Squeers. Pam Ferris is hilarious and nasty, and all the supporting and minor roles are well filled, some have to deal with caricature-like characters but still do fine with what they have. Mrs Nickelby often is treated either like a caricature or totally blah, while not quite as effective as Hilary Mason for the 1977 adaptation Diana Kent still does a good job.
Overall, remarkably well-done, while I haven't seen all the adaptations of Nicholas Nickleby this one is the one that comes off best of the adaptations of the book seen. 9/10 Bethany Cox
Adaptation-wise, it is more than respectable, doing a brave job squeezing a huge story with so many characters and a sprawling narrative within the running time. There are omissions of course with some things added in(like how Sir Mulberry Hawke acts towards Kate, which makes him an even more lecherous character), but things move swiftly and fluidly while having time to breathe and effort is made into richness of characterisation. The storytelling does make an effort to be true to Dickens and does so without being too cold(you feel for Nicholas and Smike and hate Sir Ralph and Squeers for instance), it's also cohesively told.
In regard to the dialogue, that is also easy to understand while not sounding too modernised. It's not as effectively Dickenesian as the 1977 series, but still has a natural flow to it, and captures the comic and tragic elements better than one would expect. The adaptation looks great, the photography is both beautiful and unflinching- remarkable for the many tonal shifts- and the costumes and sets are opulent yet evocative of the time too. The direction keeps making the drama believable, without making it come across as too over-acted or cold, each scene flows into one another in a non-choppy way and the shifts are handled well.
We have some really excellent performances as well. James D'Arcy plays Nicholas so charmingly and believably that you identify with him every step of the way. In other principal roles the standouts were Charles Dance, whose Sir Ralph is cold, icy and conflicted all done with superb conviction, and the Smike of Lee Ingelby, who has never been more moving. Though there's also Sophia Myles, who is enchanting and is by far and large the best of the three Kates, and Gregor Fisher's utterly despicable Mr Squeers. Pam Ferris is hilarious and nasty, and all the supporting and minor roles are well filled, some have to deal with caricature-like characters but still do fine with what they have. Mrs Nickelby often is treated either like a caricature or totally blah, while not quite as effective as Hilary Mason for the 1977 adaptation Diana Kent still does a good job.
Overall, remarkably well-done, while I haven't seen all the adaptations of Nicholas Nickleby this one is the one that comes off best of the adaptations of the book seen. 9/10 Bethany Cox