As a movie translator, this is by far the most trashy series I've ever had to deal with. I could write a script like that with my left foot while playing Tetris in the middle of the drum'n'bass jam session. I would only watch this show if I wanted to make fun of all the mistakes they make.
Boy, where do I start? The script writers and, I guess, nobody else, would check simple math, so the child that was conceived at the same time that the firm was started, ends up a year older than the firm itself (they added 9 months of pregnancy to his age instead of subtracting them). The guy that got himself in trouble blames and haunts his best friend and his family, and still gets sympathy. What the hell? The mother gets behind the wheel with her college student daughter in the car, knowing that she has brain cancer, blacks out and eventually gets them both killed; doesn't express remorse afterwards. The list goes on and on.
The characters are shallow, their actions during the episode are not always connected to and justified by their story we find out at the end. No one besides Melinda herself are capable of making logical conclusions and are only revolving around her like planets around the sun. And our good old Melinda sleeps in full makeup, wakes up with perfect hairdo, fries pancakes in her pretty sparkling attire and mysteriously changing clothes 3 times a day (if you see a white dress on her - it means she is about to help a ghost cross over. *My personal observation). Who does that in real life?
Stuff like that is not food for your brain, the viewer can't build a logical chain and deduct the truth from the given clues, because there is always another unpredictable vision at the end that turns tables around and the bad guys turn out to be the good guys and visa versa. It gets old, people! If you see someone evil at the beginning - he is sure to be a saint at the end, although he suffocates people, breaks stuff and is accompanied by sharp evil tunes all along the episode. If we are to watch TV, let's go back to Agatha Christie, Arthur Conan Doyle and the Discovery Channel!
Boy, where do I start? The script writers and, I guess, nobody else, would check simple math, so the child that was conceived at the same time that the firm was started, ends up a year older than the firm itself (they added 9 months of pregnancy to his age instead of subtracting them). The guy that got himself in trouble blames and haunts his best friend and his family, and still gets sympathy. What the hell? The mother gets behind the wheel with her college student daughter in the car, knowing that she has brain cancer, blacks out and eventually gets them both killed; doesn't express remorse afterwards. The list goes on and on.
The characters are shallow, their actions during the episode are not always connected to and justified by their story we find out at the end. No one besides Melinda herself are capable of making logical conclusions and are only revolving around her like planets around the sun. And our good old Melinda sleeps in full makeup, wakes up with perfect hairdo, fries pancakes in her pretty sparkling attire and mysteriously changing clothes 3 times a day (if you see a white dress on her - it means she is about to help a ghost cross over. *My personal observation). Who does that in real life?
Stuff like that is not food for your brain, the viewer can't build a logical chain and deduct the truth from the given clues, because there is always another unpredictable vision at the end that turns tables around and the bad guys turn out to be the good guys and visa versa. It gets old, people! If you see someone evil at the beginning - he is sure to be a saint at the end, although he suffocates people, breaks stuff and is accompanied by sharp evil tunes all along the episode. If we are to watch TV, let's go back to Agatha Christie, Arthur Conan Doyle and the Discovery Channel!