I'm still not entirely sure why this film made such an impression on me. Perhaps I'm just a bit of a sucker for film noir...
Karel's mash-up mockumentary of clips from a host of classical Hollywood films and "interviews" with actors (in character) is used to tell a very noir'ish story of forbidden love, gangsters, undercover cops and lots and lots of murders.
It's not a hugely surprising plot, almost cliché, but there's something about the blending of old clips and "interviews" that just plain works.
I also think the decision to keep it to a fairly brief 88 minutes (well, the version I saw was actually 82 minutes, incl. credits) was the right one. Any longer and the clichés would probably have gotten too thick.
Karel's mash-up mockumentary of clips from a host of classical Hollywood films and "interviews" with actors (in character) is used to tell a very noir'ish story of forbidden love, gangsters, undercover cops and lots and lots of murders.
It's not a hugely surprising plot, almost cliché, but there's something about the blending of old clips and "interviews" that just plain works.
I also think the decision to keep it to a fairly brief 88 minutes (well, the version I saw was actually 82 minutes, incl. credits) was the right one. Any longer and the clichés would probably have gotten too thick.