6/10
Decent sequel.
16 February 2012
Warning: Spoilers
John P. Ryan returns as Frank Davis, the father of the mutated baby in this, Larry Cohen's sequel to his cult favourite "It's Alive". Frank is now working with a group of people that attempt to help other mutated babies and their parents, and to prevent the tykes from eradication by the authorities. He makes contact with expectant couple Eugene (Frederic Forrest) and Jody (Kathleen Lloyd) and assists in spiriting the kid away to a special sort of clinic. But the cops catch up to them in time to have to deal with the escape of not only Eugene and Jody's offspring but two other murderous infants as well. Cohen had already made his point in the first movie about a possible effect of negative environmental changes on a developing fetus, and his story here is more a portrayal of irrational behaviour that may well annoy some viewers, as it shows how people can be in total denial, and stubbornly continue to engage in dangerous activities, hoping that history won't repeat itself. Characters also opine that maybe, just maybe, the infants have been altered as part of a new step in evolution, a common enough theme in genre fare. But, in the end, there's also the notion present that love and tenderness can temporarily keep a monster at bay. The movie is basically entertaining enough, and respectably paced, with particularly good scenes with Ryan (it's really nice to see him reprise his role) & Forrest and Forrest & John Marley, who plays a cop with a personal motivation for wanting to make the babies extinct. The Bernard Herrmann score is still very effective as well as the Rick Baker makeup effects; Cohen and company refrain from ever giving us an extended look at the babies, which can only be a good thing. The under-rated Forrest is likable as Eugene while the cute Lloyd, an actress whose career should have gone further, is similarly appealing as Jody, although some folk watching may grow tired of their vacillating on the issue of what to do with their child. Marley is very good in his role, while Andrew Duggan, Eddie Constantine, and Cohen regular James Dixon also provide solid support, and Cohen's daughter Jill Gatsby pops up in a small part. All things considered, this isn't as sharp or memorable as the first movie but not really bad either. Six out of 10.
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