Just came home from the premiere, for which I managed to get some tickets. To be honest, I felt like I've been sitting through two hours of endless boredom. The story had no surprising twists, the plot was conventional as well as the narrative structure (flashbacks alternating/ overlapping with the events of 1991). The whole cast was overacting, as if the director had been standing behind the camera and in each scene shouting: "More, more, I want this scene to be intense". Hence, every actor overdid it and many scenes seem as if they were intended for a theater play, not a movie. Many of the scenes seemed to me overly theatrical and melodramatic. One example: The young Marga stands in the field, chopping wood, when suddenly her ex-husband Juris appears . In his arms he is holding the baby of his lover, Ieva. Every facial expression of the two actors seems so exaggerated, desperately trying to convey the message: "Oh, it's all so incredibly tragic, we can hardly stand it". And Karoline Herfurths position to the camera is completely unnatural and just for effect.
The plot was predictable, twenty minutes into the film I knew that Marga wasn't Sofia's real mother, but that, in the end, the Sofia character would grow to accept it and reconcile with her oddly behaving mother. The Alzheimer scenes were far too many, one scene and we know, OK, old Marga is losing it, no need to rub it in by showing scenes in which she talks gibberish. If we just look at the craftsmanship of this film, I believe we have found the one positive aspect. Pictures and music were well paced although the music was a little too much at times as well. I guess in the end I'm looking and hoping for a German cinema that is a little more controversial, disturbing. A cinema that is obnoxious, confusing and gut-wrenching. This film isn't any of that.
Winterreise was better.
The plot was predictable, twenty minutes into the film I knew that Marga wasn't Sofia's real mother, but that, in the end, the Sofia character would grow to accept it and reconcile with her oddly behaving mother. The Alzheimer scenes were far too many, one scene and we know, OK, old Marga is losing it, no need to rub it in by showing scenes in which she talks gibberish. If we just look at the craftsmanship of this film, I believe we have found the one positive aspect. Pictures and music were well paced although the music was a little too much at times as well. I guess in the end I'm looking and hoping for a German cinema that is a little more controversial, disturbing. A cinema that is obnoxious, confusing and gut-wrenching. This film isn't any of that.
Winterreise was better.