The original Arthur was pretty much a cartoon where there was no consequence to behaviour, so Arthur could remain permanently sozzled, drink and drive, insult people and create havoc with impunity. In Arthur 2, he enters the world of adult responsibility. I guess that it is this element of reality, the drunk as a pitiful creature, which makes fans of the original hate the sequel. Those expecting more of the same were sadly disappointed.
The premise of a man being forced to fend for himself after a lifetime of privilege is vastly more interesting to that of a drunken playboy and the film, for the most part, rises to this. The ensemble performances are much stronger than in the first film which relied heavily on acerbic one liners and Dudley's comedy drunk routine. Here the interaction between Minelli and Moore is more fleshed out and is delightful. It reminded me somewhat of Jane Fonda and Robert Redford in Barefoot in the Park. The comedy throughout is more subtle and more satisfying than the original.
Unfortunately certain cartoon elements from the first film are introduced. Moore's previously innocent ex-girlfriend turns up as a Cruella Deville character before strangely reverting to her former self at the end. And her father hounding Moore wherever he goes is rather silly, it makes him seem like Gargamel. The denouement is especially feeble, with the sudden unexplained character change just mentioned and suddenly every-thing's alright. This terrible finale is the reason I cannot give this a higher mark, although I do consider it a genuine improvement on Arthur 1.
It is a pity that this, even more than the original did not follow the courage of its convictions and end with him being poor but following his heart. Now that would be a lesson worth learning.
The premise of a man being forced to fend for himself after a lifetime of privilege is vastly more interesting to that of a drunken playboy and the film, for the most part, rises to this. The ensemble performances are much stronger than in the first film which relied heavily on acerbic one liners and Dudley's comedy drunk routine. Here the interaction between Minelli and Moore is more fleshed out and is delightful. It reminded me somewhat of Jane Fonda and Robert Redford in Barefoot in the Park. The comedy throughout is more subtle and more satisfying than the original.
Unfortunately certain cartoon elements from the first film are introduced. Moore's previously innocent ex-girlfriend turns up as a Cruella Deville character before strangely reverting to her former self at the end. And her father hounding Moore wherever he goes is rather silly, it makes him seem like Gargamel. The denouement is especially feeble, with the sudden unexplained character change just mentioned and suddenly every-thing's alright. This terrible finale is the reason I cannot give this a higher mark, although I do consider it a genuine improvement on Arthur 1.
It is a pity that this, even more than the original did not follow the courage of its convictions and end with him being poor but following his heart. Now that would be a lesson worth learning.