2/10
a strictly narcissistic self portrait
3 December 2010
The ersatz Madonna 'documentary' offers proof of the Material Girl's genius for self-promotion, pretending to be a candid behind-the-scenes portrait of her Blond Ambition tour when it's really just selling a lot of self-conscious backstage posturing, sandwiched between the expected MTV concert footage. Some fashionably grainy black-and-white photography gives the film a spurious air of raw slice-of-life candor, but the whole thing is one long public relations whitewash, no less calculated than her elaborate stage show and often just about as substantial. At times it seems the only purpose of the film is to reinforce the singer's image as some sort of blue-collar angel/whore, with strong maternal instincts toward her dancing troupe. Nothing else about her is revealed, except for a purely mercenary streak of exhibitionism, hardly front-page news. But there's a peculiar irony in watching Madonna (of all people) try to act natural with a camera lens constantly in her face; the effort to simply be herself can almost be called the best 'performance' of her career.
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