Just after midnight, a young London couple receive a visit from their friend David who appears distraught, telling them that his girlfriend has been unfaithful and needs a place to stay for the night. Sometime after three in the morning, David is left downstairs whilst the others depart. It's only whilst looking in a mirror that David sees something out of the corner of his eye and, as he investigates, he comes face to face with something utterly nightmarish. But this isn't his first encounter with the horrors that lurk in the dark. He's met them before... and now he's brought them with him to his friends' apartment.
This low budget British movie from Andrew Cull and Steve Isles has drawn a lot of comparisons to "Paranormal Activity" which is unfair. Whilst there are certain similarities (characters stalked within a building by an unknown horror over a series of nights and the use of POV shots), those similarities are quite superficial. "The Possession Of David O'Reilly" was conceived and shot before "Paranormal Activity", and seems to draw more influence from the works of Clive Barker and George Romero than Oren Peli's 2007 horror movie. This is a movie steeped in a foreboding atmosphere with long silent scenes taking place in virtual darkness, events illuminated only by a single light source – such as a cell phone or the moon through curtains.
That's not to say that the movie doesn't have some significant problems. Despite not using the 'lost footage' style of "Paranormal Activity", the directors frequently film scenes from the point of view of one of the three characters. Whilst this does add tension in certain places, it's ultimately overused diluting the intended effect as the movie continues. As with most horror movies, the main characters are also prone to making bad decisions which make their situation worse and this only serves to undermine the story in places. In addition, we are given very little back story about any of the characters and there are some definite pacing issues.
What's most frustrating about "The Possession Of David O'Reilly" is that it has the potential to be a lot better than the end product suggests. The make-up effects for the horrific creatures are generally pretty good, and often accompanied with terrific eerie sound effects that heighten the scares. In the main role, Giles Alderson is fantastic; perfectly demonstrating his character's loosening grasp on reality as events unfold. Finally, the story itself succeeds as many times as it fails, and some scenes will definitely make you jump if you're watching the movie in a dark room with no distractions.
However, I was left feeling largely ambivalent at the conclusion of "The Possession Of David O'Reilly". Whilst there were glimpses of a great horror movie at times, the absence of information regarding several key story points, and paper-thin characterisation ultimately makes it difficult to recommend. Fans of small, independent horror productions such as "The Blair Witch Project", "Bug" and (in my opinion) the inferior "Paranormal Activity" will most likely enjoy this movie, despite its flaws, and owe it to themselves to take a look in order to make up their own minds. All others should probably tread carefully here, as the decidedly average script and the previously mentioned pacing issues may not compensate for the occasional jump scare in a darkened room when something with half a face appears in a sliver of light.
This low budget British movie from Andrew Cull and Steve Isles has drawn a lot of comparisons to "Paranormal Activity" which is unfair. Whilst there are certain similarities (characters stalked within a building by an unknown horror over a series of nights and the use of POV shots), those similarities are quite superficial. "The Possession Of David O'Reilly" was conceived and shot before "Paranormal Activity", and seems to draw more influence from the works of Clive Barker and George Romero than Oren Peli's 2007 horror movie. This is a movie steeped in a foreboding atmosphere with long silent scenes taking place in virtual darkness, events illuminated only by a single light source – such as a cell phone or the moon through curtains.
That's not to say that the movie doesn't have some significant problems. Despite not using the 'lost footage' style of "Paranormal Activity", the directors frequently film scenes from the point of view of one of the three characters. Whilst this does add tension in certain places, it's ultimately overused diluting the intended effect as the movie continues. As with most horror movies, the main characters are also prone to making bad decisions which make their situation worse and this only serves to undermine the story in places. In addition, we are given very little back story about any of the characters and there are some definite pacing issues.
What's most frustrating about "The Possession Of David O'Reilly" is that it has the potential to be a lot better than the end product suggests. The make-up effects for the horrific creatures are generally pretty good, and often accompanied with terrific eerie sound effects that heighten the scares. In the main role, Giles Alderson is fantastic; perfectly demonstrating his character's loosening grasp on reality as events unfold. Finally, the story itself succeeds as many times as it fails, and some scenes will definitely make you jump if you're watching the movie in a dark room with no distractions.
However, I was left feeling largely ambivalent at the conclusion of "The Possession Of David O'Reilly". Whilst there were glimpses of a great horror movie at times, the absence of information regarding several key story points, and paper-thin characterisation ultimately makes it difficult to recommend. Fans of small, independent horror productions such as "The Blair Witch Project", "Bug" and (in my opinion) the inferior "Paranormal Activity" will most likely enjoy this movie, despite its flaws, and owe it to themselves to take a look in order to make up their own minds. All others should probably tread carefully here, as the decidedly average script and the previously mentioned pacing issues may not compensate for the occasional jump scare in a darkened room when something with half a face appears in a sliver of light.