This movie is the product of Christopher Nolan's considerable imagination. Like "Memento", the story springs from an interesting speculation, in this case what if it were possible to get inside people's dreams, either to steal information or to plant suggestions as to future action. In the story, Leonardo's character does this for a living. He is retained by a large corporation to implant the idea into the heir to a rival corporate behemoth the notion that he should break up his father's empire and set up on his own – actually quite reasonable career advice (see Murdoch, Lauchlan). Nolan's trick is to film not only the dreams of the characters, but dreams within dreams and even dreams within dreams within dreams. The dreams turn out to be pretty action-packed, so that at times the whole thing seems in danger of becoming an application to direct the next James Bond movie. However despite about 90% of it being set in dreamland the story manages to emerge and there is a satisfying resolution.
There are shootouts, car chases, attacks on fortresses and vertigo-inducing scenes in lift shafts and special effects galore (the Paris folding street scape is a standout), but not much in the way of sex. There is romance of a kind in that Leonardo pines for his late wife, their life together being the subject of several flashbacks. For reasons which become apparent, Leonardo can't return to the US, but this job might change all that. Michael Caine, who seems to be popping up all over the place despite being 79 has a supporting role as his mentor. As far as I can tell he is the only significant character who doesn't appear in a dream.
I certainly hope that no-one tries tinkering with my dreams, but as they never seem to make much sense and don't as far as I can tell direct what I do day to day it might not be a profitable pastime. I suppose it might be different for someone who took them as auguries or guides to the future. The Generals of Myanmar would be a good bunch to start on.
There are shootouts, car chases, attacks on fortresses and vertigo-inducing scenes in lift shafts and special effects galore (the Paris folding street scape is a standout), but not much in the way of sex. There is romance of a kind in that Leonardo pines for his late wife, their life together being the subject of several flashbacks. For reasons which become apparent, Leonardo can't return to the US, but this job might change all that. Michael Caine, who seems to be popping up all over the place despite being 79 has a supporting role as his mentor. As far as I can tell he is the only significant character who doesn't appear in a dream.
I certainly hope that no-one tries tinkering with my dreams, but as they never seem to make much sense and don't as far as I can tell direct what I do day to day it might not be a profitable pastime. I suppose it might be different for someone who took them as auguries or guides to the future. The Generals of Myanmar would be a good bunch to start on.