While reading some reviews here one reviewer pointed out that "this is a film that wouldn't be made today". How sad yet true a statement indeed! This film is rich in history and politics, two subjects that (seemingly) don't interest todays movie-going public. What does it say about a culture when the people have become so detached to their own history?
The Molly Maguires was filmed at the very beginning of what I think is the greatest American movie decade ever, and I'm not alone in that opinion as the most recent (2007) AFI list of the top 100 films of all time contains more from the 70s than any other single decade (19!). As if hungover from the 60s, this post-revolutionary period gave birth to many great young directors making films that had an independent and political feel...this was the end of the old "studio system" of Hollywood, and was the beginning of the new independent film movement in America that still exists to this day.
This film really succeeds in capturing the atmosphere of a bygone era. This is one of those movies that you just relax (maybe on a rainy afternoon) and let wash over you...appreciate the cinematography (notice the excellent tracking shot of the miners walking out of the mine after planting the explosives near the beginning) and fine acting by all involved. When I was done watching this I wanted to know more about the Molly Maguires. Is that a complaint? Actually I think its a compliment. A good story should leave you wanting to know more about the subject matter.
Jack Kehoe (Sean Connery) is the leader of a secret cult of Irish coalminers in 1870s Pennsylvania, James Mckenna (Richard Harris) is an undercover detective sent in to capture the secret cult known as the Molly Maguires, who has lost a strike and begun committing acts of sabotage and murder against the Mining company. This film is rich in period detail and quite engrossing, this is the kind of film you want to watch again and see what dialog you might have missed as the Irish dialects are rather thick. This is also a violent film, but the violence is raw and sudden...believable, not stylishly choreographed and seemingly pandering to the audience like in todays movies. The early days of the American labor movement were quite violent indeed, whether our public schools teach it or not.
Mckenna is a very ambitious man and makes its clear to us early on that he will do whatever he has to for career advancement. As he says..."I'm tired of being on the bottom looking up all the time, I want to look down". However, as he gets inside the miners and develops a bond with Kehoe, we see that despite his personal motives, he has actually started to care about these miners. In a poignant scene when the Molly Maguires are bent on desperate retaliation, Kehoe fervently tries to talk them out of it and he's serious (as he admits later to his handler), and we in the audience can tell. But the Molly Maguires are destined for self-destruction. Not even an (unknown to them) enemy can dissuade them from their fate.
So this isn't a feel good type of movie. The conclusion doesn't necessarily leave a good taste and might not be that pat ending that modern movie-goers are used to seeing. This is the essence of real history however, the labor struggles in America seldom had a happy ending, and though at times it seemed like labor eventually won, here lately it sure doesn't look that way.
Things aren't quite as clear as we like... the line between the good and the bad is often quite fuzzy. The Molly MaGuires is a perfect example of this....it is also a great example of beautiful filmmaking. This may not quite be an American classic, but its real close.
One last thing...I really got some great insight reading the other reviews here on this film, they were very interesting, thanks.
The Molly Maguires was filmed at the very beginning of what I think is the greatest American movie decade ever, and I'm not alone in that opinion as the most recent (2007) AFI list of the top 100 films of all time contains more from the 70s than any other single decade (19!). As if hungover from the 60s, this post-revolutionary period gave birth to many great young directors making films that had an independent and political feel...this was the end of the old "studio system" of Hollywood, and was the beginning of the new independent film movement in America that still exists to this day.
This film really succeeds in capturing the atmosphere of a bygone era. This is one of those movies that you just relax (maybe on a rainy afternoon) and let wash over you...appreciate the cinematography (notice the excellent tracking shot of the miners walking out of the mine after planting the explosives near the beginning) and fine acting by all involved. When I was done watching this I wanted to know more about the Molly Maguires. Is that a complaint? Actually I think its a compliment. A good story should leave you wanting to know more about the subject matter.
Jack Kehoe (Sean Connery) is the leader of a secret cult of Irish coalminers in 1870s Pennsylvania, James Mckenna (Richard Harris) is an undercover detective sent in to capture the secret cult known as the Molly Maguires, who has lost a strike and begun committing acts of sabotage and murder against the Mining company. This film is rich in period detail and quite engrossing, this is the kind of film you want to watch again and see what dialog you might have missed as the Irish dialects are rather thick. This is also a violent film, but the violence is raw and sudden...believable, not stylishly choreographed and seemingly pandering to the audience like in todays movies. The early days of the American labor movement were quite violent indeed, whether our public schools teach it or not.
Mckenna is a very ambitious man and makes its clear to us early on that he will do whatever he has to for career advancement. As he says..."I'm tired of being on the bottom looking up all the time, I want to look down". However, as he gets inside the miners and develops a bond with Kehoe, we see that despite his personal motives, he has actually started to care about these miners. In a poignant scene when the Molly Maguires are bent on desperate retaliation, Kehoe fervently tries to talk them out of it and he's serious (as he admits later to his handler), and we in the audience can tell. But the Molly Maguires are destined for self-destruction. Not even an (unknown to them) enemy can dissuade them from their fate.
So this isn't a feel good type of movie. The conclusion doesn't necessarily leave a good taste and might not be that pat ending that modern movie-goers are used to seeing. This is the essence of real history however, the labor struggles in America seldom had a happy ending, and though at times it seemed like labor eventually won, here lately it sure doesn't look that way.
Things aren't quite as clear as we like... the line between the good and the bad is often quite fuzzy. The Molly MaGuires is a perfect example of this....it is also a great example of beautiful filmmaking. This may not quite be an American classic, but its real close.
One last thing...I really got some great insight reading the other reviews here on this film, they were very interesting, thanks.