Ilich Ramírez Sánchez aka Carlos the Jackal, Venezuelan (but educated in communist USSR), was the most notorious terrorist in Europe and some Africa and Middle East countries.
Affiliated with the Palestinian / anti-Zionism cause and justice and equality for the people; he publicly proclaim some of Ernesto "CHE" Guevara's socialist concepts; however comparing these two different characters will be a huge mistake. While the later was driven by ideals and passion; Carlos was mostly moved by his egomaniacal needs of power, notoriety and money.
Olivier Assasyas did a deep historical analysis of Carlos' trajectory during a period of about 20 years. In order to produce a continuity he tied real events from the seventies mid nineties (sme using reel footage others dramatized) with fictional "what if" situations (showing interactions and negotiations with different people and powers). Whatever really happened in those meetings can only be guessed based in subsequent events. The final product is almost perfect. Carlos emerges as a very complex character. He was mercenary, ambitious and power hungry person; very cold but a very smart. He is never shown as a coward but he was not always on the front line either. When he is asked to be killed for "the cause", he states "I am a soldier not a martyr" he states when he is asked to be killed by "the cause". He used people (particularly women) that were easily seduced by his discourse (it seems his sexual life was really over the top) for minor actions but he was there in the most important ones like the OPEC kidnapping. Edgar Ramirez is outstanding as the main character; speaking several languages with ease and convincing in all of them. His charisma stays even when he is doing hideous statements or acts or beating a woman. This movie could not exist without him.
However, this five and a half hours TV mini-series (it can also be viewed in cinemas as three hours movie) is not really a Carlos' biopic but a serious essay about modern terrorism. Carlos was (and he knew that) just a famous puppet. He was an instrument until the end of Cold War; then was kept "protected" by different countries until his knowledge was outdated. After that he was betrayed by his contractors and imprisoned by the French government (he was only judged by the killing of two police officers and is currently serving life prison).
USA FCC censorship will never allow this movie to be shown in public TV as it was in Europe (there is nudity and swearing all over). It is really a pity because young people should see this to understand the difference between fight and manipulation.
Affiliated with the Palestinian / anti-Zionism cause and justice and equality for the people; he publicly proclaim some of Ernesto "CHE" Guevara's socialist concepts; however comparing these two different characters will be a huge mistake. While the later was driven by ideals and passion; Carlos was mostly moved by his egomaniacal needs of power, notoriety and money.
Olivier Assasyas did a deep historical analysis of Carlos' trajectory during a period of about 20 years. In order to produce a continuity he tied real events from the seventies mid nineties (sme using reel footage others dramatized) with fictional "what if" situations (showing interactions and negotiations with different people and powers). Whatever really happened in those meetings can only be guessed based in subsequent events. The final product is almost perfect. Carlos emerges as a very complex character. He was mercenary, ambitious and power hungry person; very cold but a very smart. He is never shown as a coward but he was not always on the front line either. When he is asked to be killed for "the cause", he states "I am a soldier not a martyr" he states when he is asked to be killed by "the cause". He used people (particularly women) that were easily seduced by his discourse (it seems his sexual life was really over the top) for minor actions but he was there in the most important ones like the OPEC kidnapping. Edgar Ramirez is outstanding as the main character; speaking several languages with ease and convincing in all of them. His charisma stays even when he is doing hideous statements or acts or beating a woman. This movie could not exist without him.
However, this five and a half hours TV mini-series (it can also be viewed in cinemas as three hours movie) is not really a Carlos' biopic but a serious essay about modern terrorism. Carlos was (and he knew that) just a famous puppet. He was an instrument until the end of Cold War; then was kept "protected" by different countries until his knowledge was outdated. After that he was betrayed by his contractors and imprisoned by the French government (he was only judged by the killing of two police officers and is currently serving life prison).
USA FCC censorship will never allow this movie to be shown in public TV as it was in Europe (there is nudity and swearing all over). It is really a pity because young people should see this to understand the difference between fight and manipulation.