It is four years after the end of WWI and there are still bodies that are being found. The grim reality of gathering the mutilated remains of the soldiers that gave their lives in that conflict, is at the center of the story. Two women, Irene, an upper class Parisian, and Alice, a teacher, are looking desperately for a husband and a fiancé, both unaccounted for.
The head of the MIA section of the French army, Major Delaplane, has seen enough horrors during his tour of duty. One thing comes clear, he is a man of integrity that is not interested in the politics that want to make a glorious example for the country trying to capitalize on the valor of the fallen men. Delaplane's superiors are more interested in bringing an unidentified soldier to be buried under the Arch of Triumph in Paris. He will stand for all men fallen in the different wars France has entered.
At first, the bureaucratic Delaplane and the aristocrat Irene clash because he feels she wants to exert her class and connections in order to find the husband she wants to find. On the other hand, he is more sympathetic toward the poor Alice, a humble woman without pretensions. Through a twist of destiny, Irene and Alice, who bond in unexpected fashion, are closer than they know by the missing man.
Bernard Tavernier is a director that always brings integrity to any project in which he presents on the screen. In this film, which he co-wrote with Jean Cosmos, an aspect of the war is looked at from a different perspective that is not dealt in many other anti-war films. In subtle ways Mr. Tavernier shows the viewer a side that most of us will never have to face. His Delaplane is a man that has seen horrors as he goes to the sites of recent battles to identify the dead, while his superiors are more interested in another aspect of the conflict that does not take into consideration the suffering the war causes on all the surviving members of the dead men.
Any film with Philippe Noiret is worth taking a look. Mr. Noiret in his distinguished career humanized the characters he was asked to bring to life, as he does with his Deplane. The late actor shows an integrity in his Major Deplane that shows his affinity to the material. Sabine Azema, gives a nuanced performance as the rich Irene. Pascale Vignal is also effective as Alice. The vast supporting cast does excellent work for Mr. Tavernier.
The head of the MIA section of the French army, Major Delaplane, has seen enough horrors during his tour of duty. One thing comes clear, he is a man of integrity that is not interested in the politics that want to make a glorious example for the country trying to capitalize on the valor of the fallen men. Delaplane's superiors are more interested in bringing an unidentified soldier to be buried under the Arch of Triumph in Paris. He will stand for all men fallen in the different wars France has entered.
At first, the bureaucratic Delaplane and the aristocrat Irene clash because he feels she wants to exert her class and connections in order to find the husband she wants to find. On the other hand, he is more sympathetic toward the poor Alice, a humble woman without pretensions. Through a twist of destiny, Irene and Alice, who bond in unexpected fashion, are closer than they know by the missing man.
Bernard Tavernier is a director that always brings integrity to any project in which he presents on the screen. In this film, which he co-wrote with Jean Cosmos, an aspect of the war is looked at from a different perspective that is not dealt in many other anti-war films. In subtle ways Mr. Tavernier shows the viewer a side that most of us will never have to face. His Delaplane is a man that has seen horrors as he goes to the sites of recent battles to identify the dead, while his superiors are more interested in another aspect of the conflict that does not take into consideration the suffering the war causes on all the surviving members of the dead men.
Any film with Philippe Noiret is worth taking a look. Mr. Noiret in his distinguished career humanized the characters he was asked to bring to life, as he does with his Deplane. The late actor shows an integrity in his Major Deplane that shows his affinity to the material. Sabine Azema, gives a nuanced performance as the rich Irene. Pascale Vignal is also effective as Alice. The vast supporting cast does excellent work for Mr. Tavernier.