After seeing Short Cuts and pondering over it as a cinematic experience, I feel a strange feeling that I haven't had before with any Robert Altman film: confusion. Normally, understanding that Altman's style is one of using confusion and misunderstandings to move the plot along, I was surprised when I reacted so positively to MASH, Nashville and The Player but not this.
The cast, overall, is quite good with Robert Downey Jr. and Madeline Stowe giving the best performances along with the great Jack Lemmon in perhaps the scene with the only real emotional pull as he describes the sad truth of why his family broke apart. Everyone else seems lost and misguided, floating around in this LA world Altman is exploring without much to do. They act out, involving themselves in affairs, drugs, their children's lives and the simple desire to survive each day but none of it particularly moved me. Even one plot line involving Bruce Davison and Andie MacDowell that should have had great emotional depth has almost none to speak of.
I have the greatest admiration for Altman and his ambitious vision of how to create interesting stories and characters. Yet, despite many claiming this to be one of his best works, I didn't feel at all that it was on par with MASH or Nashville as it seemed to meander and sag heavily in the middle until a final occurrence brought many of the characters together. This may be what Altman wanted; the meaningless and accidental nature of many of life's adventures that nevertheless still affect us. However, I wish it would have been made more cinematically stimulating.
The cast, overall, is quite good with Robert Downey Jr. and Madeline Stowe giving the best performances along with the great Jack Lemmon in perhaps the scene with the only real emotional pull as he describes the sad truth of why his family broke apart. Everyone else seems lost and misguided, floating around in this LA world Altman is exploring without much to do. They act out, involving themselves in affairs, drugs, their children's lives and the simple desire to survive each day but none of it particularly moved me. Even one plot line involving Bruce Davison and Andie MacDowell that should have had great emotional depth has almost none to speak of.
I have the greatest admiration for Altman and his ambitious vision of how to create interesting stories and characters. Yet, despite many claiming this to be one of his best works, I didn't feel at all that it was on par with MASH or Nashville as it seemed to meander and sag heavily in the middle until a final occurrence brought many of the characters together. This may be what Altman wanted; the meaningless and accidental nature of many of life's adventures that nevertheless still affect us. However, I wish it would have been made more cinematically stimulating.