Mani Ratnam is the undisputed heir to the legacy laid by the great Indian auteurs like Guru Dutt, Satyajit Ray, Raj Kapoor and Shayam Benegal. If movies like Roja, Bombay, Yuva were the cornerstones of his career then Raavan would definitely be the crowning jewel. Despite being a rendition of the Ramayana, Raavan is avant garde on countless fronts. The cinematography of the movie is both detailed and picturesque, and enormously adds to its poignant beauty. Mani dauntlessly transforms the eternal saga of the Ramayana into a much profound tale which transcends the trite theme of virtue versus vice; a gigantic task which a lesser director could have easily botched. The tone of the movie is set right from the first scene and gets enhanced with subsequent scenes. The pristineness of the movie gives it an uncanny charm that makes the viewing experience, titillating and nigh ineffable. The picaresque theme of the movie may appear to be commonplace, but movie's exotic backdrop and meticulous execution make it augustly unique.
The first half of the movie is deliberately paced which gives it a poetic effect that is seldom associated with contemporary Indian movies. Rehman's plaintive score lulls the viewer into a state of trance which sustains beyond the length of the movie.
Abhishek Bachchan outdoes himself as an actor in the portrayal of glacial yet vulnerable, Beera, a part which required subtlety and brusqueness in equal parts. Mani Ratnam is known to get the best out of his actors, and even he would be proud of Bachchan's performance in Raavan. Incidentally, it was Mani Ratnam who helped Bachchan get rid of the ham status by trusting him with parts in Yuva and Guru. Aishwarya Rai gives a thorough performance doing full justice to her talent and pulchritude. During the course of the movie, one incredibly gets to see her in all the nine rasas (essential aspects or energies that define a set of emotions and moods). Govinda is invidiously under used in the movie and hence fails to leave an impact. The rest of the cast has given commendable performances with a special mention of Bhojpuri actor, Ravi Kishan.
Barring a few redundant scenes, Raavan is consummate in every sense of the word, and has enough to fascinate the masses, awe the critics, and teach the students of cinema. In fact, it will undoubtedly serve as a benchmark for the movies in years to come.
PS: Raavan is a must watch for those who love Hindi cinema and for those who want to acquaint themselves with it. 9/10
http://www.apotpourriofvestiges.com/
The first half of the movie is deliberately paced which gives it a poetic effect that is seldom associated with contemporary Indian movies. Rehman's plaintive score lulls the viewer into a state of trance which sustains beyond the length of the movie.
Abhishek Bachchan outdoes himself as an actor in the portrayal of glacial yet vulnerable, Beera, a part which required subtlety and brusqueness in equal parts. Mani Ratnam is known to get the best out of his actors, and even he would be proud of Bachchan's performance in Raavan. Incidentally, it was Mani Ratnam who helped Bachchan get rid of the ham status by trusting him with parts in Yuva and Guru. Aishwarya Rai gives a thorough performance doing full justice to her talent and pulchritude. During the course of the movie, one incredibly gets to see her in all the nine rasas (essential aspects or energies that define a set of emotions and moods). Govinda is invidiously under used in the movie and hence fails to leave an impact. The rest of the cast has given commendable performances with a special mention of Bhojpuri actor, Ravi Kishan.
Barring a few redundant scenes, Raavan is consummate in every sense of the word, and has enough to fascinate the masses, awe the critics, and teach the students of cinema. In fact, it will undoubtedly serve as a benchmark for the movies in years to come.
PS: Raavan is a must watch for those who love Hindi cinema and for those who want to acquaint themselves with it. 9/10
http://www.apotpourriofvestiges.com/