The situation is perfect. It's one of the movies where there is nothing bad to refer to. It's about only one match, and how it exposes the contradictions of this world; which's here the community of boxing. I loved how the whole characters declare something moral while achieving their hidden, so materialistic, aims. In fact, the shown scene is for America when money is god, and 99 % of the Americans are so godly!
The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way that suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang - 1992).
It was so good to an extent that forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what (Oliver Stone)'s surely heavier, louder, and longer movie (Any Given Sunday - 1999) stretched and overload, 3 years later, and in focused nice way as well.
(The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again, except for (Damon Wayans) running after the ice cream's van of course!
Finally, do I smell a point of view in the title about how the great hype is "white" in the first place?!
The casting is the movie's biggest hit; everyone was in the right place. The script is lissome, coming to its point without any elongation. The characters are made in a way that suits the desired in this drollery of a movie. It harmonies smartly, carrying out itself as enjoyable, being an enough compensation from director (Reginald Hudlin) for his previous, real bad, movie (Boomerang - 1992).
It was so good to an extent that forces you to ask why it was that short? Why the gifted supporting actors (Jon Lovitz, Cheech Marin, Jamie Foxx,..) didn't have more on-screen time with more material? Actually, it's not basically a comedy inasmuch as a satire; that could bother some I suppose, since the funniness wasn't as high as the sarcastic criticism, with comic actors around while not making many laughs. However, it said all what (Oliver Stone)'s surely heavier, louder, and longer movie (Any Given Sunday - 1999) stretched and overload, 3 years later, and in focused nice way as well.
(The Great White Hype) is a jest where the substance is itself the surface totally unlike the world it sneered at. It's only imperfect point is that some jests can't be used more than once. So, despite how I liked it, I may find nothing in it to be re-watched again, except for (Damon Wayans) running after the ice cream's van of course!
Finally, do I smell a point of view in the title about how the great hype is "white" in the first place?!