Born to Kill (1947)
"Has it occurred to you, neither of us looks like a scoundrel, do we?"
The smart, cutting lead female in this crime noir, Helen, played by Claire Trevor, is enough alone to make Born to Kill rise above. She's educated and calculating, far from the gutter but not at home with mere elegance and wealth, the things she's been trying to corner. The story is hers, luckily, because she's ultimately admirable, whatever her moral milkiness.
The whole thing starts with a shock, and then with a disturbing calm where all the pieces refuse to fit together. The lead male, Sam, played by Lawrence Tierney, is a ruthless, violent man with all the elegance and brains of a half-track. He's a perfect problem for Helen, and the movie only compounds and coils around a plot that never falters, whatever its complications. The detective (Walter Slezak) is too perfect in his delicate selfishness, and good old Elisha Cook Jr. is a surprising, and also perfect, good guy with too much tolerance due to his large heart.
It isn't a surprise that a good script and some talented actors are put together with such smart, fast panache by a young Robert Wise, more famous for little tidbits like West Side Story and Sound of Music. It ends up taking some astonishing twists, and some liberties with location shooting that are fabulous for 1947.
After all is said in done we are back with Claire Trevor's performance, which is large and nuanced, and very convincing. It's a good thing she has a lot to work with. A great film. Even the third time.
"Has it occurred to you, neither of us looks like a scoundrel, do we?"
The smart, cutting lead female in this crime noir, Helen, played by Claire Trevor, is enough alone to make Born to Kill rise above. She's educated and calculating, far from the gutter but not at home with mere elegance and wealth, the things she's been trying to corner. The story is hers, luckily, because she's ultimately admirable, whatever her moral milkiness.
The whole thing starts with a shock, and then with a disturbing calm where all the pieces refuse to fit together. The lead male, Sam, played by Lawrence Tierney, is a ruthless, violent man with all the elegance and brains of a half-track. He's a perfect problem for Helen, and the movie only compounds and coils around a plot that never falters, whatever its complications. The detective (Walter Slezak) is too perfect in his delicate selfishness, and good old Elisha Cook Jr. is a surprising, and also perfect, good guy with too much tolerance due to his large heart.
It isn't a surprise that a good script and some talented actors are put together with such smart, fast panache by a young Robert Wise, more famous for little tidbits like West Side Story and Sound of Music. It ends up taking some astonishing twists, and some liberties with location shooting that are fabulous for 1947.
After all is said in done we are back with Claire Trevor's performance, which is large and nuanced, and very convincing. It's a good thing she has a lot to work with. A great film. Even the third time.