With very little foreknowledge, I tuned into this movie expecting some kind of kid-possessed-by demon Exorcist/Damien rip-off, but although the film tells of a kid from hell there is no supernatural element to it. I was initially quite surprised by how well-written the screenplay was, although the plot loses some of its impetus half-way through as the writer is forced to create progressively unlikely incidents in order to build upon the tension he has already created.
Joshua is a strange boy, bordering on genius, who likes nothing more than pulling the stuffing from his toy panda's nose in emulation of the Ancient Egyptian's method of preparing dead bodies for embalming. He's also pretty good at copying Dad's grief when he mourns over the dead body of the old family dog (who Joshua may or may not have offed while walking in the park). Joshua knows he's weird, and you sense he's frightened that his parents don't love him – or at least won't love him as much now that a baby sister has arrived in the scene. Sneaking a peek at videos of his constant wailing as a baby also does nothing for his frame of mind, and it's not long before he's sneaking in to little sis's room to make her cry the way he used to.
All these scenes are intelligently scripted and handled – as is Joshua's unique piano recital – fooling you into believing you're in for something really special but, while the film is still impressive (and far better than much of the stuff coming out of Hollywood these days), the plot developments become increasingly predictable, while the aim of Joshua's quiet campaign of terror on his parents is something of a mystery initially, and a little far-fetched when revealed in the final scene (which, naturally, leaves the way open for a sequel).
Joshua is a strange boy, bordering on genius, who likes nothing more than pulling the stuffing from his toy panda's nose in emulation of the Ancient Egyptian's method of preparing dead bodies for embalming. He's also pretty good at copying Dad's grief when he mourns over the dead body of the old family dog (who Joshua may or may not have offed while walking in the park). Joshua knows he's weird, and you sense he's frightened that his parents don't love him – or at least won't love him as much now that a baby sister has arrived in the scene. Sneaking a peek at videos of his constant wailing as a baby also does nothing for his frame of mind, and it's not long before he's sneaking in to little sis's room to make her cry the way he used to.
All these scenes are intelligently scripted and handled – as is Joshua's unique piano recital – fooling you into believing you're in for something really special but, while the film is still impressive (and far better than much of the stuff coming out of Hollywood these days), the plot developments become increasingly predictable, while the aim of Joshua's quiet campaign of terror on his parents is something of a mystery initially, and a little far-fetched when revealed in the final scene (which, naturally, leaves the way open for a sequel).