Willem Dafoe is now Commandant Klein, and he is in charge of a concentration camp. Previously, he was a guest at a show of one of Germany's greatest clowns, Adam Stein (Jeff Goldblum), and now Stein stands before him in his camp. He graciously agrees to free Stein if he does two things, (1) act like a dog for his amusement, and (2) play the violin while his wife and daughter march to their deaths in the gas chamber.
Having lost his humanity, Adam is in and out of mental institutions while living in Israel. The patients love him, the doctor (Derek Jacobi) is fascinated with his case, and the head nurse (Ayelet Zurer)wants his body - why, I could never figure out.
Adam comes upon a young boy (Tudor Rapiteanu) in the cellar of the institution and begins a transformation that not only cures the boy, but restores his humanity.
The back and forth flashback may be disturbing to some, but it is essential to the story, and gives us a chance to enjoy the excellence that Dafoe brings to the screen.
Goldblum is excellent, as he always is.
Having lost his humanity, Adam is in and out of mental institutions while living in Israel. The patients love him, the doctor (Derek Jacobi) is fascinated with his case, and the head nurse (Ayelet Zurer)wants his body - why, I could never figure out.
Adam comes upon a young boy (Tudor Rapiteanu) in the cellar of the institution and begins a transformation that not only cures the boy, but restores his humanity.
The back and forth flashback may be disturbing to some, but it is essential to the story, and gives us a chance to enjoy the excellence that Dafoe brings to the screen.
Goldblum is excellent, as he always is.