Plague doctors, the physicians who treated the sick during the Great Plague of London, wore wide-brimmed black hats, long black overcoats and primitive gas masks in the shape of a bird's beak; in short, they looked bloody freaky.
Horror newcomer Curtis Radclyffe attempts to capitalise on the unsettling nature of these bizarre historical figures by making them the antagonists in his film The Sick House, but fails to realise that having a cool looking killer just isn't enough on its own: a coherent plot, decent acting, competent editing and considered direction doesn't go amiss either.
After a thoroughly confusing pre-credits sequence featuring a whispering child, Radclyffe's film begins proper with the discovery of a sealed chamber beneath a 17th century hospital. Archaeologist Anna (Gina Philips) is keen to find out what is on the inside, but when the site is declared to be a bio-hazard, she is prevented from continuing her dig. So what does this supposedly intelligent scientist do next? Why, break in, of course—a stroke of genius which not only results in an outbreak of the plague, but also the resurrection of a murderous plague doctor. Meanwhile, a car full of joy-riders seek refuge in the hospital after their fun results in a fatal accident. Guess who's going to wish they'd not broken their ASBOs...
Having introduced his raft of thoroughly selfish characters, and established them within a fairly creepy locale, Radclyffe then proceeds to belie his novice status as both a writer and director by boring the pants off his audience with a solid hour and a half of people wandering aimlessly through dark corridors, whilst the shadowy plague doctor randomly appears and disappears in the shadows.
Fluorescent lights flicker on and off to add a little extra ambiance (or in my case, to irritate me even further), none of the supernatural events that occur are ever adequately explained, gimmicky editing and post production trickery makes everything extremely hard to follow, and the whole thing finishes as confusingly as it began, with a child once again whispering some nonsense that might possibly have made some sense had I not given up caring long before.
Horror newcomer Curtis Radclyffe attempts to capitalise on the unsettling nature of these bizarre historical figures by making them the antagonists in his film The Sick House, but fails to realise that having a cool looking killer just isn't enough on its own: a coherent plot, decent acting, competent editing and considered direction doesn't go amiss either.
After a thoroughly confusing pre-credits sequence featuring a whispering child, Radclyffe's film begins proper with the discovery of a sealed chamber beneath a 17th century hospital. Archaeologist Anna (Gina Philips) is keen to find out what is on the inside, but when the site is declared to be a bio-hazard, she is prevented from continuing her dig. So what does this supposedly intelligent scientist do next? Why, break in, of course—a stroke of genius which not only results in an outbreak of the plague, but also the resurrection of a murderous plague doctor. Meanwhile, a car full of joy-riders seek refuge in the hospital after their fun results in a fatal accident. Guess who's going to wish they'd not broken their ASBOs...
Having introduced his raft of thoroughly selfish characters, and established them within a fairly creepy locale, Radclyffe then proceeds to belie his novice status as both a writer and director by boring the pants off his audience with a solid hour and a half of people wandering aimlessly through dark corridors, whilst the shadowy plague doctor randomly appears and disappears in the shadows.
Fluorescent lights flicker on and off to add a little extra ambiance (or in my case, to irritate me even further), none of the supernatural events that occur are ever adequately explained, gimmicky editing and post production trickery makes everything extremely hard to follow, and the whole thing finishes as confusingly as it began, with a child once again whispering some nonsense that might possibly have made some sense had I not given up caring long before.