One would like to think that the most prolific children's author of all time was a fun-loving, happy, cheerful person, and yet this movie certainly shatters that image. Beatrix Potter (creator of Peter Rabbit among others) is depicted here as a shy, lonely, isolated and socially awkward woman who sometimes seems to live in an imagined world of her own and whose only friends are the animals she creates for her stories (her friendship with the animals being depicted by them becoming - to Beatrix only - animated creatures rather than still drawings.) All her relationships - save two - are problematic. Her original publishers don't take her work seriously, her father is loving but patronizing, her mother never appreciates her talent (at one point her father says to her mother "our daughter is famous, my dear, and you seem to be the only one who doesn't realize that!") The two exceptions are important though. Norman - who eventually is given responsibility for publishing her books (Potter is "fobbed off" onto him by his older brothers who actually run the firm) - believes in her and eventually falls madly in love with her and his sister Millie becomes her best friend. Still, though, the relationships turn tragic when Beatrix and Norman are engaged but can't tell anyone because her parents insist on keeping it a secret (they felt Beatrix was marrying beneath herself) and Norman then dies before the marriage takes place.
Renee Zellweger (my favourite actress who can take any role of any kind it seems and make it work brilliantly) was - well - brilliant as Beatrix Potter. The rest of the cast were quite solid - especially Barbara Flynn as Beatrix' mother, and Ewan McGregor as Norman. The strict moral standards of the early 20th century were portrayed well (it's shocking today to realize that a 32 year old unmarried woman would still have had to be chaperoned everywhere she went in that era) and the movie even manages some light humour now and then. Ultimately - one might say finally, because there's a point in the movie at which you desperately want Beatrix to break out of the stifling environment of her parents' home - the movie becomes uplifting, as Beatrix uses her newfound wealth to buy a farm where she can be on her own, becomes a bit of a social champion by buying surrounding properties to protect them from development and - finally - manages to fall in love and get married, although that's only told in the postscript.
This is, indeed, a movie both sad and touching. 7/10
Renee Zellweger (my favourite actress who can take any role of any kind it seems and make it work brilliantly) was - well - brilliant as Beatrix Potter. The rest of the cast were quite solid - especially Barbara Flynn as Beatrix' mother, and Ewan McGregor as Norman. The strict moral standards of the early 20th century were portrayed well (it's shocking today to realize that a 32 year old unmarried woman would still have had to be chaperoned everywhere she went in that era) and the movie even manages some light humour now and then. Ultimately - one might say finally, because there's a point in the movie at which you desperately want Beatrix to break out of the stifling environment of her parents' home - the movie becomes uplifting, as Beatrix uses her newfound wealth to buy a farm where she can be on her own, becomes a bit of a social champion by buying surrounding properties to protect them from development and - finally - manages to fall in love and get married, although that's only told in the postscript.
This is, indeed, a movie both sad and touching. 7/10