Gran Torino (2008) ***
When I saw the preview's for Clint Eastwood's new film Gran Torino, I kind of thought, 'What the hell is this?' Then I looked into it, and found that the film has so far received overwhelmingly positive reviews. Clearly, the advertising for Gran Torino wasn't doing it justice. The truth is that Gran Torino is simply out of sync with the current movie marketing paradigm. The film is a delicious throwback to old school hard boiled tough guy B movies of the 70s and 80s. Eastwood has his tongue planted firmly in cheek, and the end result is a film a helluva lot funnier than could ever be anticipated by the grim growly TV trailers.
Eastwood, directing and starring, plays Walt Kowalski, a widowed and grumpy Korean war Veteran. The film begins with Walt's beloved wife's funeral. He grimaces with embarrassment as his materialistic sons arrive with their greedy and inappropriately dressed children. The sons seem to think that their father will get in trouble all alone in his neighborhood, but neither is willing to take him in. He wouldn't leave anyway. When one son later brings him pamphlets for a retirement villa - along with some other comically old-people themed gifts - he has a long scowly growl before throwing him out of the house - on the old man's birthday no less.
Walt's neighborhood is now inhabited by immigrant Hmong families. "Why'd they have to move here?" Walt growls then spits; "Why is that old white man still living in this neighborhood?" the elderly Hmong lady next door grumbles, then out spittles the old man. The young boy next door, Tau, is something of a push over, and is harassed by his older cousin and his gang banger friends. They persuade him to steal Walt's prized possession - his '72 Grand Torino. Walt catches the boy and he runs off. Tau's cousin and gang return the next night to tell him they'll give him another shot, but a fracas ensues. When it spills onto Walt's grass, that's when he gets angry and pulls his rifle. He stops the fight and scares the gang off. The next day, to his surprise, he's greeted as a hero by his Hmong neighbors. They give him gifts and food he does not want.
Walt later stops a group of thugs from harassing Tau's sister, Sue. The girl takes to Walt, and pesters him with invites and friendly conversation. One day Walt finally agrees to go next door to a party. He begins learning about his neighbors and their people, and is shocked by their kindness to find that he has more in common with them than his own two greedy sons. Walt takes Thao under his wing after his family says he must allow the boy to make amends for trying to steal the car. He, of course, becomes fond of the boy. He teaches him how to talk like a man, and gets him a job at a construction firm to toughen him up. After Thao is stopped one day coming home from work by his cousin and the gang, they break some of his tools, leading Walt to react. From there, the violence only escalates.
Gran Torino finds lots of little tongue in cheek moments of humor, from Walt's near perpetual grumpiness to his bigotry. He's like Archie Bunker with a hangover. His racial insults are comical in their obvious bigotry. For some reason most of his insults do not seem malicious, but rather almost innocently ignorant. His Hmong neighbors greet his ignorance with amusement. Of course by the end of the film Walt has come to respect those who are different from him, and even comes to terms with himself and his own dark past. He's pestered by the young Parish Priest, who was asked by Walt's wife to keep an eye on her husband, and see that he confesses. Walt refers to him as an overeducated 27 year old virgin, but sees that even though the Priest is young, he's also wise. When Walt tells the priest he knows nothing of death, the priest responds in turn that Walt knows nothing but death.
Gran Torino has a lot to say about respecting and understanding each other, while also sticking it to the attitudes of young punks. It's a film that could clearly and probably will be taken the wrong way by many people, just as All in the Family was in its day, even with its ultimate end message. But Gran Torino is cheerfully tongue in cheek.
Walt Kowalski is something of a loving parody of Eastwood's bad ass characters of the 70s. He's a geriatric Dirty Harry. It's not an explicit comedy, but it is quite funny - and on purpose. Gran Torino is a genuinely sincere effort from Eastwood to channel his past, and has a little bit of everything, just like a good B movie should.
When I saw the preview's for Clint Eastwood's new film Gran Torino, I kind of thought, 'What the hell is this?' Then I looked into it, and found that the film has so far received overwhelmingly positive reviews. Clearly, the advertising for Gran Torino wasn't doing it justice. The truth is that Gran Torino is simply out of sync with the current movie marketing paradigm. The film is a delicious throwback to old school hard boiled tough guy B movies of the 70s and 80s. Eastwood has his tongue planted firmly in cheek, and the end result is a film a helluva lot funnier than could ever be anticipated by the grim growly TV trailers.
Eastwood, directing and starring, plays Walt Kowalski, a widowed and grumpy Korean war Veteran. The film begins with Walt's beloved wife's funeral. He grimaces with embarrassment as his materialistic sons arrive with their greedy and inappropriately dressed children. The sons seem to think that their father will get in trouble all alone in his neighborhood, but neither is willing to take him in. He wouldn't leave anyway. When one son later brings him pamphlets for a retirement villa - along with some other comically old-people themed gifts - he has a long scowly growl before throwing him out of the house - on the old man's birthday no less.
Walt's neighborhood is now inhabited by immigrant Hmong families. "Why'd they have to move here?" Walt growls then spits; "Why is that old white man still living in this neighborhood?" the elderly Hmong lady next door grumbles, then out spittles the old man. The young boy next door, Tau, is something of a push over, and is harassed by his older cousin and his gang banger friends. They persuade him to steal Walt's prized possession - his '72 Grand Torino. Walt catches the boy and he runs off. Tau's cousin and gang return the next night to tell him they'll give him another shot, but a fracas ensues. When it spills onto Walt's grass, that's when he gets angry and pulls his rifle. He stops the fight and scares the gang off. The next day, to his surprise, he's greeted as a hero by his Hmong neighbors. They give him gifts and food he does not want.
Walt later stops a group of thugs from harassing Tau's sister, Sue. The girl takes to Walt, and pesters him with invites and friendly conversation. One day Walt finally agrees to go next door to a party. He begins learning about his neighbors and their people, and is shocked by their kindness to find that he has more in common with them than his own two greedy sons. Walt takes Thao under his wing after his family says he must allow the boy to make amends for trying to steal the car. He, of course, becomes fond of the boy. He teaches him how to talk like a man, and gets him a job at a construction firm to toughen him up. After Thao is stopped one day coming home from work by his cousin and the gang, they break some of his tools, leading Walt to react. From there, the violence only escalates.
Gran Torino finds lots of little tongue in cheek moments of humor, from Walt's near perpetual grumpiness to his bigotry. He's like Archie Bunker with a hangover. His racial insults are comical in their obvious bigotry. For some reason most of his insults do not seem malicious, but rather almost innocently ignorant. His Hmong neighbors greet his ignorance with amusement. Of course by the end of the film Walt has come to respect those who are different from him, and even comes to terms with himself and his own dark past. He's pestered by the young Parish Priest, who was asked by Walt's wife to keep an eye on her husband, and see that he confesses. Walt refers to him as an overeducated 27 year old virgin, but sees that even though the Priest is young, he's also wise. When Walt tells the priest he knows nothing of death, the priest responds in turn that Walt knows nothing but death.
Gran Torino has a lot to say about respecting and understanding each other, while also sticking it to the attitudes of young punks. It's a film that could clearly and probably will be taken the wrong way by many people, just as All in the Family was in its day, even with its ultimate end message. But Gran Torino is cheerfully tongue in cheek.
Walt Kowalski is something of a loving parody of Eastwood's bad ass characters of the 70s. He's a geriatric Dirty Harry. It's not an explicit comedy, but it is quite funny - and on purpose. Gran Torino is a genuinely sincere effort from Eastwood to channel his past, and has a little bit of everything, just like a good B movie should.