Frost/Nixon (2008) ***1/2
His most lasting legacy, as a character in the film suggests, is the the use of 'gate' as a suffix for every political blunder since his own. Richard Nixon was not a delusional man - he likely recognized this as well. We all make mistakes, but his was broadcast widely and cost him the American Presidency. We all know how affecting our greatest blunders are to us - imagine the effect it must Nixon's must have had on him. Given the comparably larger scale, I suspect it must have been devastating.
The new film adaptation of Peter Morgan's much admired play, Frost/Nixon, is rooted firmly in its performances and screenplay. Michael Sheen plays David Frost, the British television host who coaxed Richard Nixon into exercising his guilt in a series of interviews. Frost was at the time living in almost a form of entertainment exile, banished to Australia, though still successful. He was something of a playboy, something of a joker. When he proposed interviewing the disgraced former president, he was balked at. He was a variety brand host, not a serious journalist or seasoned interviewer. Nixon would eat him alive. But he persisted, and put it all together, largely out of his own pocket. Nixon, played with shocking embodiment by Frank Langella, and his people accepted, due in part to the $600 thousand payday, and in even larger part because they agreed with the general consensus - Nixon would eat this joker alive.
And so he did for most of their sessions. Nixon routinely circumvented questions with anecdotes and hyperbole, with Frost allowing him to ramble without response. But Frost, though disheartened, never gave up, and kept doing his homework. To help him was his friend and producer, John Birt (Matthew Macfadyen), Bob Zelnick (Oliver Platt), and James Reston Jr. (Sam Rockwell). While David spends much of his time away promoting films he's produced, or courting potential advertisers, his three wise men cram and plan their attack. Reston Jr has already written four books about Nixon, and has a hunch about a key date and meeting early in the film which turns out to be the key to breaking Nixon down. On the other side, Nixon is almost never without his right hand man, Jack Brennan (Kevin Bacon). He believes in Nixon to the end, in his righteousness, and wants to protect him from further attacks.
The film, directed by Ron Howard, uses an interesting technique. It's structured as a documentary, right down to the retrospective interviews with those involved. In a way, it's sort of a mockumentary, but sincere and without the satire or slapstick. I was slightly off put at first, wondering perhaps if this would have been better as a documentary, but it works out pretty quickly thereafter. After a while I was actually looking forward to these moments. And although the subject would make a fascinating documentary, Frost/Nixon has something that a documentary would not be able to attain - Nixon himself. Nixon was reviled at the time, hated by nearly all. Frost/Nixon and Frank Langella do not make Nixon an evil man, but a stubborn man, dedicated to his predilections. What he considered moral and just were misguided, but he was not evil. He was simply a man who made many mistakes, not least of which the abuse of his power. Most films would have taken the easy road and turned the interviews into some sort of revenge themed tale - the horrible Nixon defeated and embarrassed by a television fluff host.
Frost/Nixon does not. Instead, thanks especially to Langella's powerhouse performance, we're made to empathize with the man. We don't have to sympathize with someone to criticize them, bu we ought at least empathize. How else could we even begin to comprehend what we ourselves would have done if placed in the same situation?
What makes Frost/Nixon work is the two lead performances by Sheen and Langella. Both actors played their roles in Peter Morgan's play, and seem to wear their characters like an old pair of pants. Frank Langella is the great highlight of the film. His Nixon is startlingly transcending - not necessarily because he looks like or sounds just like the real Nixon, but because he so profoundly embodies the man's soul. When he elaborates on his misdeeds, it seems almost more because that soul is so tortured, the weight of guilt burdened too heavily on his shoulders, than because he has been outwitted.
His most lasting legacy, as a character in the film suggests, is the the use of 'gate' as a suffix for every political blunder since his own. Richard Nixon was not a delusional man - he likely recognized this as well. We all make mistakes, but his was broadcast widely and cost him the American Presidency. We all know how affecting our greatest blunders are to us - imagine the effect it must Nixon's must have had on him. Given the comparably larger scale, I suspect it must have been devastating.
The new film adaptation of Peter Morgan's much admired play, Frost/Nixon, is rooted firmly in its performances and screenplay. Michael Sheen plays David Frost, the British television host who coaxed Richard Nixon into exercising his guilt in a series of interviews. Frost was at the time living in almost a form of entertainment exile, banished to Australia, though still successful. He was something of a playboy, something of a joker. When he proposed interviewing the disgraced former president, he was balked at. He was a variety brand host, not a serious journalist or seasoned interviewer. Nixon would eat him alive. But he persisted, and put it all together, largely out of his own pocket. Nixon, played with shocking embodiment by Frank Langella, and his people accepted, due in part to the $600 thousand payday, and in even larger part because they agreed with the general consensus - Nixon would eat this joker alive.
And so he did for most of their sessions. Nixon routinely circumvented questions with anecdotes and hyperbole, with Frost allowing him to ramble without response. But Frost, though disheartened, never gave up, and kept doing his homework. To help him was his friend and producer, John Birt (Matthew Macfadyen), Bob Zelnick (Oliver Platt), and James Reston Jr. (Sam Rockwell). While David spends much of his time away promoting films he's produced, or courting potential advertisers, his three wise men cram and plan their attack. Reston Jr has already written four books about Nixon, and has a hunch about a key date and meeting early in the film which turns out to be the key to breaking Nixon down. On the other side, Nixon is almost never without his right hand man, Jack Brennan (Kevin Bacon). He believes in Nixon to the end, in his righteousness, and wants to protect him from further attacks.
The film, directed by Ron Howard, uses an interesting technique. It's structured as a documentary, right down to the retrospective interviews with those involved. In a way, it's sort of a mockumentary, but sincere and without the satire or slapstick. I was slightly off put at first, wondering perhaps if this would have been better as a documentary, but it works out pretty quickly thereafter. After a while I was actually looking forward to these moments. And although the subject would make a fascinating documentary, Frost/Nixon has something that a documentary would not be able to attain - Nixon himself. Nixon was reviled at the time, hated by nearly all. Frost/Nixon and Frank Langella do not make Nixon an evil man, but a stubborn man, dedicated to his predilections. What he considered moral and just were misguided, but he was not evil. He was simply a man who made many mistakes, not least of which the abuse of his power. Most films would have taken the easy road and turned the interviews into some sort of revenge themed tale - the horrible Nixon defeated and embarrassed by a television fluff host.
Frost/Nixon does not. Instead, thanks especially to Langella's powerhouse performance, we're made to empathize with the man. We don't have to sympathize with someone to criticize them, bu we ought at least empathize. How else could we even begin to comprehend what we ourselves would have done if placed in the same situation?
What makes Frost/Nixon work is the two lead performances by Sheen and Langella. Both actors played their roles in Peter Morgan's play, and seem to wear their characters like an old pair of pants. Frank Langella is the great highlight of the film. His Nixon is startlingly transcending - not necessarily because he looks like or sounds just like the real Nixon, but because he so profoundly embodies the man's soul. When he elaborates on his misdeeds, it seems almost more because that soul is so tortured, the weight of guilt burdened too heavily on his shoulders, than because he has been outwitted.