Greetings again from the darkness. Exactly as you might expect ... a chick flick with one layer. No problem with a movie that doesn't try to be something it's not. Director Anne Fletcher seems to be the straight-forward type and she is making a good living with it. Doesn't hurt when your simple, predictable lines are played out by Katherine Heigl, Edward Burns, James Marsden and the underrated Judy Greer.
Heigl ("Knocked Up", "Grey's Anatomy") is nice to look at and has excellent comedic timing and a strong screen presence. Hopefully she doesn't settle for just straight up comedy as I would like to see her tackle some serious material in the next year or two (see Scarlett Johansson, Charlize Theron, Naomi Watts). Marsden is certainly an up and comer ("Hairspray") who has the looks to go with his talent. Judy Greer seems to have taken over the Joan Cusack roles of playing second fiddle and then stealing every scene. Over the top a couple of times here, but her scene with Heigl after the slide show is top shelf stuff.
Basic premise is pretty funny but there are no twists and turns. Still for the chick flick formula, it is passable thanks to the strong cast. Biggest problem is the casting of Malin Akerman as the "pretty" sister. That's Hollywood's notion ... Heigl gets the nod any day in the real world.
Heigl ("Knocked Up", "Grey's Anatomy") is nice to look at and has excellent comedic timing and a strong screen presence. Hopefully she doesn't settle for just straight up comedy as I would like to see her tackle some serious material in the next year or two (see Scarlett Johansson, Charlize Theron, Naomi Watts). Marsden is certainly an up and comer ("Hairspray") who has the looks to go with his talent. Judy Greer seems to have taken over the Joan Cusack roles of playing second fiddle and then stealing every scene. Over the top a couple of times here, but her scene with Heigl after the slide show is top shelf stuff.
Basic premise is pretty funny but there are no twists and turns. Still for the chick flick formula, it is passable thanks to the strong cast. Biggest problem is the casting of Malin Akerman as the "pretty" sister. That's Hollywood's notion ... Heigl gets the nod any day in the real world.