(Mild Spoilers)
Okay, David Wain's "The Ten" isn't attempting to redefine the genre of sketch comedy or satire, nor does it pass judgement on the religious iconography it uses as a template. It merely cheekily plays with the idea of the commandments in a smutty and more often than not, unique way. What I think the strongest part of this film is, is its pre-occupation with the perverse and how one can play that out on screen. The repetition of the Spanish word for vagina, Winona Ryder's hysterical relationship with that dummy, Oliver Platt's "Arnie" impression, Liev Schreiber's cat scan machines and the untimely death of hundreds of children, are all irreverent and interesting approaches to the lessons or moral codes of the ten commandments. Whilst some are better executed than others, I particularly appreciated the astute connection between the "Adultery" segment and Woody Allen's films. The use of the stamp jazz soundtrack as the camera moves down a busy New York street, the inclusion of Dianne Weist as a needy wife, and the self-indulgence of our two infidels all really hit the mark. Even their dialogue seems to be mocking Allen's neurotic adulterous characters. Which, as a Woody Allen fan, I really got into.
If for anything else, one should give "The Ten" a go for its wonderful utilisation of well- known actors for comedy. They seem to really be holding absolutely nothing back, and that is actually a thrilling experience to watch. Particularly the work of Winona Ryder, whose drive off into the sunset with no hands on her steering wheel, crying and laughing like a lunatic whilst sitting next to her lover, a wooden dummy, got me so giggly I couldn't breathe.
Okay, David Wain's "The Ten" isn't attempting to redefine the genre of sketch comedy or satire, nor does it pass judgement on the religious iconography it uses as a template. It merely cheekily plays with the idea of the commandments in a smutty and more often than not, unique way. What I think the strongest part of this film is, is its pre-occupation with the perverse and how one can play that out on screen. The repetition of the Spanish word for vagina, Winona Ryder's hysterical relationship with that dummy, Oliver Platt's "Arnie" impression, Liev Schreiber's cat scan machines and the untimely death of hundreds of children, are all irreverent and interesting approaches to the lessons or moral codes of the ten commandments. Whilst some are better executed than others, I particularly appreciated the astute connection between the "Adultery" segment and Woody Allen's films. The use of the stamp jazz soundtrack as the camera moves down a busy New York street, the inclusion of Dianne Weist as a needy wife, and the self-indulgence of our two infidels all really hit the mark. Even their dialogue seems to be mocking Allen's neurotic adulterous characters. Which, as a Woody Allen fan, I really got into.
If for anything else, one should give "The Ten" a go for its wonderful utilisation of well- known actors for comedy. They seem to really be holding absolutely nothing back, and that is actually a thrilling experience to watch. Particularly the work of Winona Ryder, whose drive off into the sunset with no hands on her steering wheel, crying and laughing like a lunatic whilst sitting next to her lover, a wooden dummy, got me so giggly I couldn't breathe.